BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//The Sanctuary For Independent Media - ECPv6.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.mediasanctuary.org
X-WR-CALDESC:Events for The Sanctuary For Independent Media
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20070311T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20071104T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20080309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20081102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20090308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20091101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20081113T180000
DTEND;TZID=America/New_York:20081113T210000
DTSTAMP:20230705T153953Z
CREATED:20081113T160900Z
LAST-MODIFIED:20230705T153953Z
UID:10000855-1226599200-1226610000@www.mediasanctuary.org
SUMMARY:Abel Raises Cain with Media Prankster Alan Abel
DESCRIPTION:A roller coaster ride through the myriad of elaborate hoaxes and schemes pulled off over the years by the infamous underground media prankster\, provocateur and trickster par excellence Alan Abel\, offering and unprecedented glimpse into a life and bizarre career designed to provoke and amuse – while at the same time making people question everything that they see\, hear and read. Alan will be on hand to discuss the film.  \n\n\n\nThis event is made possible by the Experimental Television Center’s Presentation Funds. The Experimental Television Center’s Presentation Funds program is supported by the New York State Council on the Arts. \n\n\n\nAbel Raises Cain (trailer) is an unprecedented glimpse into the bizarre career of Alan Abel\, the infamous media hoaxer. Like a reverse Jon Stewart\, Abel has been producing fake news for the masses for over 50 years. He has made a name for himself several times over with stunts that are just ridiculous enough to be believed\, especially to a media that feeds on salacious\, lurid and wacky stories. \n\n\n\nAbel’s hoaxing career began in the late 1950s with S.I.N.A.\, the Society for Indecency to Naked Animals. This tongue-in-cheek moral crusade\, whose purpose was to clothe all animals for modesty’s sake\, was actually a commentary on censorship. After launching the campaign\, however\, Alan soon found himself in the midst of a national craze. Newspaper\, radio and television reporters couldn’t seem to get the story fast enough. Abel realized that\, with very little funds and very few props\, with a straight face\, he could convince America\, and the media\, that an absurd idea like S.I.N.A. truly existed. \n\n\n\nOver the years\, Alan continued masterminding scores of other allegorical satires and outlandish stunts\, all with the purpose to amuse and provoke. Ultimately\, with his hoaxes\, Alan’s goal has always been to give people\, what he calls “a kick in the intellect.” Abel continues to taunt the media and the masses with his nutty ideas\, imaginary organizations and seemingly nonsensical campaigns. In 2000\, Life Magazine recognized Alan as a cultural icon during the 20th century in their volume edition\, Century of Change. \n\n\n\nIn this loving documentary portrait of an eccentric father\, Alan’s daughter\, Jenny\, tells her firsthand account of what it was like growing up with a prankster dad. Abel Raises Cain takes the audience on a roller coaster ride through the myriad of elaborate hoaxes and schemes that Abel pulled off over the years\, all of which were designed to provoke and amuse… while at the same time\, make people question everything that they see\, hear and read. \n\n\n\nThe UTNE Reader praised the film for showing us that “long before the Yes Men satirized Exxon and Halliburton\, and before Ashton Kutcher was born\, Alan Abel was the undisputed king of media hoaxers.” Reviewers at slate.com called Abel Raises Cain “an invigorating and often hysterical look at a gifted comic and the nation of dupes he continues to use as his medium.” Abel Raises Cain has won numerous awards\, including Best Documentary (Slamdance\, Newport)\, Top Ten Audience Favorites (Hot Docs)\, and Best Feature (Brooklyn Underground).
URL:https://www.mediasanctuary.org/event/abel-raises-cain-with-media-prankster-alan-abel/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Panel Discussion,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20081114T180000
DTEND;TZID=America/New_York:20081114T200000
DTSTAMP:20230705T154534Z
CREATED:20081114T161600Z
LAST-MODIFIED:20230705T154534Z
UID:10000856-1226685600-1226692800@www.mediasanctuary.org
SUMMARY:"Phantom of the Opera" with Alloy Orchestra
DESCRIPTION:An unusual combination of found percussion and state-of-the-art electronics gives the Alloy Orchestra the ability to create any sound imaginable as they perform live accompaniment to classic silent films. Working with an outrageous assemblage of peculiar objects\, they thrash and grind soulful music from unlikely sources. They’ll be performing the soundtrack to Rupert Jillian’s 1925 classic Phantom of the Opera\, one of the scariest and most influential horror films of all time- featuring Lon Chaney as the mysterious Phantom.  \n\n\n\nLocal presentation of the Alloy Orchestra and “Phantom of the Opera” is made possible by the support from New York State Council on the Arts and the Central New York Programmers Group. \n\n\n\nPress Release\n\n\n\nThe Alloy Orchestra is a three-man musical ensemble\, writing and performing live accompaniment to classic silent films. Working with an outrageous assemblage of peculiar objects\, they thrash and grind soulful music from unlikely sources. The members are TERRY DONAHUE (junk\, accordion\, musical saw\, vocals)\, KEN WINOKUR (director\, junk percussion and clarinet) and ROGER MILLER (keyboards). \n\n\n\nAccording to Chicago Sun-Times film critic Roger Ebert\, Alloy Orchestra is “the best in the world at accompanying silent films.” \n\n\n\n“Phantom of the Opera” is a 1925 silent film directed by Rupert Julian adaptation of the Gaston Leroux novel of the same title. The film featured Lon Chaney in the title role as the masked and facially deformed Phantom who haunts the Paris Opera House\, causing murder and mayhem in an attempt to force the management to make the woman he loves a star. It is most famous for Lon Chaney’s intentionally horrific\, self-applied make-up\, which was kept a studio secret until the film’s premiere. \n\n\n\nThe film also features Mary Philbin\, Norman Kerry\, Arthur Edmund Carewe\, Gibson Gowland\, John St. Polis and Snitz Edwards. \n\n\n\nNow in its 18th year\, the Alloy Orchestra began its aural onslaught with an original score for “Metropolis” in 1991. In the intervening years\, the group has written scores for 28 feature length film presentations\, typically premiering their new scores at the Telluride Film Festival in Colorado. \n\n\n\nPerforming at prestigious film festivals and cultural centers in the U.S. and abroad The Louvre\, Lincoln Center\, The Academy of Motion Pictures\, the National Gallery of Art and others)\, Alloy has helped revive some of the great masterpieces of the silent era. \n\n\n\nAn unusual combination of found percussion and state-of-the-art electronics gives the Orchestra the ability to create any sound imaginable. Utilizing their famous “rack of junk” and electronic synthesizers\, the group generates beautiful music in a spectacular variety of styles. They can conjure up a French symphony or a simple German bar band of the 20’s. The group can make the audience think it is being attacked by tigers\, contacted by radio signals from Mars or swept up in the Russian Revolution. \n\n\n\nAlloy collaborates with some of the world’s best archives and collectors (such as the George Eastman House\, the British Film Institute\, Paramount pictures\, Film Preservation Associates and the Douris Corporation) to present audiences with the very best available prints of some of history’s greatest film. \n\n\n\nThe gorgeous new print of “Phantom of the Opera\,” recently restored by Alloy’s sister company\, Box 5\, reproduces the extremely intricate color scheme of the original release with elaborate tinting\, the experimental 2 strip Technicolor sequence at the masked ball\, and luscious hand tinting. Combined with Alloy’s new score\, this astounding film is as creepy today as it was 75 years ago.
URL:https://www.mediasanctuary.org/event/phantom-of-the-opera-with-alloy-orchestra/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Performance,Screening
END:VEVENT
END:VCALENDAR