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DTSTART;TZID=America/New_York:20080325T190000
DTEND;TZID=America/New_York:20080325T210000
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SUMMARY:"State of Fear" with Filmmaker Pamela Yates
DESCRIPTION:Filmmaker Pamela Yates presents a screening of her award-winning film\, State of Fear\, bringing a new level of documentary storytelling to an epic tale of one nation’s journey through a war on terror. How can an open society balance demands for security with democracy? State of Fear dramatizes the human and societal costs a democracy faces when it embarks on a “war” against terror\, a “war” potentially without end\, all too easily exploited by unscrupulous leaders seeking personal political gain.  The film follows events in Peru\, yet it serves as a cautionary tale for a nation like the United States.   \n\n\n\nThe Truth Commission granted Skylight Pictures access to its extensive testimonial evidence from 20 years of violence\, as well as hundreds of hours of rarely seen archival material and thousands of exquisite still photographs that will help bring this timely story to an international audience. \n\n\n\nStill from State of Fear.\n\n\n\nAbout the Film:\n\n\n\nHow can an open society balance demands for security with democracy? State of Fear dramatizes the human and societal costs a democracy faces when it embarks on a “war” against terror\, a “war” potentially without end\, all too easily exploited by unscrupulous leaders seeking personal political gain. The film follows events in Peru\, yet it serves as a cautionary tale for a nation like the United States. \n\n\n\nFilmmakers Pamela Yates\, Paco de Onís and Peter Kinoy masterfully blend personal testimony\, history and archival footage to tell the story of escalating violence in the Andean nation and how fear of terrorism was used to undermine democracy\, making Peru a virtual dictatorship where official corruption replaced the rule of law. \n\n\n\nTerrorist attacks by Shining Path guerrillas provoked a military occupation of the countryside. Military justice replaced civil authority\, widespread abuses by the Peruvian army went unpunished\, and terrorism continued to spread. Nearly 70\,000 civilians eventually died at the hands of the Shining Path and the Peruvian military. Old-fashioned police intelligence finally subdued the terrorist threat but Peruvian leaders continued to use the fear of terrorism to gut the democracy\, making Peru a virtual dictatorship where a vast web of corruption replaced the rule of law. \n\n\n\nIn 2000 this autocratic regime collapsed beneath the weight of its own corruption\, and the new democratic government established a Truth and Reconciliation Commission that opened a door to the past\, throwing light on the relentless violence that had engulfed this Andean nation for twenty years. \n\n\n\n“A brilliant and moving film\, which is both a portrait of Peru and a chronicle of terror and response–fanaticism\, bravery\, heroism\, abject fear and the way everyone is affected by such events. It is what Orwell called the aim of great art\, which was both imaginative in craftsmanship and politically committed at its heart.” –Paul Theroux\, author
URL:https://www.mediasanctuary.org/event/state-of-fear-with-filmmaker-pamela-yates/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Screening,Speaker
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20080404T190000
DTEND;TZID=America/New_York:20080404T210000
DTSTAMP:20220722T154749Z
CREATED:20080404T172900Z
LAST-MODIFIED:20220722T154749Z
UID:10000998-1207335600-1207342800@www.mediasanctuary.org
SUMMARY:"Strange Culture" Screening with Steve Kurtz
DESCRIPTION:Lynn Hershman Leeson’s Strange Culture (2007) is a brilliantly conceived documentary that breaks conventional rules to tell a story of post-9/11 paranoia and the risks artists face when their work questions government policies. The subject of this film- artists and college professor Steve Kurtz- has been charged as a suspected terrorist and faces up to 20 years in prison. He will be in attendance for this benefit event. NEW LOCATION: Christ Church\, 35 State St. \n\n\n\nCo-sponsored by the Department of the Arts at RPI. \n\n\n\nStill from Strange Culture.\n\n\n\n \n\n\n\nAbout the Film:\n\n\n\nArtist and college professor Steve Kurtz was preparing for a MASS MoCA exhibition that lets audiences test whether food has been genetically modified when\, days before the opening\, his wife tragically died of heart failure. Distraught\, Kurtz called 911\, but when medics arrived\, they became suspicious of his art supplies and called the FBI. Dozens of agents in haz-mat suits sifted through his home and impounded his computers\, books\, cat\, and even his wife’s body. The government held Kurtz as a suspected terrorist\, and\, nearly three years later\, the charges have not been dropped. He still faces up to 20 years in prison. \n\n\n\nBecause Kurtz cannot legally talk about the case\, Leeson enlists actors\, including Tilda Swinton\, Josh Kornbluth\, and Peter Coyote\, to interpret the story. Leeson skillfully weaves dramatic reenactment\, news footage\, animation\, testimonials\, and footage of Kurtz himself into a sophisticated documentary about post-9/11 paranoia and the risks artists face when their work questions government policies.
URL:https://www.mediasanctuary.org/event/strange-culture-screening-with-steve-kurtz/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Screening,Speaker
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20080406T180000
DTEND;TZID=America/New_York:20080406T213000
DTSTAMP:20220331T174926Z
CREATED:20220331T174926Z
LAST-MODIFIED:20220331T174926Z
UID:10001349-1207504800-1207517400@www.mediasanctuary.org
SUMMARY:"Promised Paradise: How Can One Believe That Terrorism Leads To Heaven?" with Filmmaker Leonard Helmrich
DESCRIPTION:Leonard Retel Helmrich is an internationally recognized Indonesian filmmaker. His featured documentary The Eye of the Day (2001) made him famous in the documentary film world. The follow-up\, Shape of the Moon (2004)\, was selected for many important festivals and won the top documentary award at the Sundance Film Festival. In Helmrich’s Promised Paradise: How Can One Believe That Terrorism Leads To Heaven?\, the Jakarta-based Indonesian puppeteer and troubadour Agus Nur Amal travels to Bali to call to account the people who were responsible for the bomb attack on a nightclub there on 12 October 2002. Come early for a 6 PM potluck with the artist! \n\n\n\nCo-Sponsored by the Department of the Arts at RPI.  \n\n\n\n\n\n\n\nStill from Promised Paradise: How Can One Believe That Terrorism Leads To Heaven?\n\n\n\nAbout the Film:\n\n\n\nIn Promised Paradise: How Can One Believe That Terrorism Leads To Heaven?  the Jakarta-based Indonesian puppeteer and troubadour Agus Nur Amal travels to Bali to call to account the people who were responsible for the bomb attack on a nightclub there on 12 October 2002. Like in his theatre shows\, humour is his main weapon. Before an audience of children\, we see him enact the attack on the Word Trade Center inside a gigantic “TV set.” The doll of Osama Bin Laden swaying his hips gets his audience roaring with laughter. But people stop laughing when his shadow play about the WTC disaster changes into images of new bomb attacks in Indonesia–first on the Australian Embassy in September 2004\, and later in Bali in October 2005. Director Leonard Retel Helmrich\, the 2004 winner of the Joris Ivens Award with The Shape of the Moon (De Stand van de Maan)\, uses ingenious editing to have Agus talk with the brain behind the attack in a “TV interview.” Agus also consults a paranormal advisor and asks him where the perpetrators of the suicide attack are now. “Their heaven is our hell\,” is the conclusion. But while Agus is in Bali\, his friend Endang\, who is still in Jakarta\, falls prey to intolerance and violence. (Source: IDFA catalogue) \n\n\n\nAbout Leonard Retel Helmrich:\n\n\n\nLeonard Retel Helmrich’s work includes the short fiction film De Drenkeling (The Drowning Man)\, the feature-length film The Phoenix Mystery\, and the multiple award-winning documentary Moving Objects (1991). He shot several short documentaries before\, during and after Suharto stepped down as president of Indonesia. With his feature documentary The Eye of the Day\, he instantly became famous in the documentary film world and won many international awards. Shape of the Moon\, a follow-up to The Eye of the Day\, was selected for many important festivals including the top documentary award at the Sundance Film Festival.
URL:https://www.mediasanctuary.org/event/promised-paradise-how-can-one-believe-that-terrorism-leads-to-heaven-with-filmmaker-leonard-helmrich/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Screening,Speaker
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20080408T190000
DTEND;TZID=America/New_York:20080408T210000
DTSTAMP:20220404T152143Z
CREATED:20220331T181251Z
LAST-MODIFIED:20220404T152143Z
UID:10001350-1207681200-1207688400@www.mediasanctuary.org
SUMMARY:African Film Festival Featuring "Bling\, A Planet Rock\," with Filmmaker Raquel Cepeda and "Growing Stronger"
DESCRIPTION:Filmmaker Raquel Cepeda presents Bling A Planet Rock (2007)\, a feature documentary by Raquel Cepeda\, takes a hard-hitting look at how “blinging” in the flashy world of commercial hip-hop played a role in the 10-year civil war in Sierra Leone. This film takes U.S. hip-hop celebrities Paul Wall\, Latin hip-hop artist Tego Calderon\, and Raekwon from Wu-Tang Clan on a journey to Sierra Leone’s diamond mining communities\, introducing them to former child soldiers\, refugees\, and local hip-hop artists.  \n\n\n\nIncluded in this screening is Growing Stronger (2005) by Tsitsi Dangarembga. After living a high profile life as a model and wife to the coach of the Zimbabwe national football team\, Tendayi Westerhof stunned the nation by becoming the first high profile person to go public about her HIV-positive status in 2002. Part of the African Film Festival program. \n\n\n\nBecause the Sanctuary has been shut down by the City of Troy in an action currently under investigation by the New York Civil Liberties Union\, historic A.M.E. Zion Church at 189 Fifth Avenue (corner of 103rd Street in north Troy) has offered sanctuary to the Sanctuary. \n\n\n\nLocal presentation of the African Film Festival is made possible with volunteer labor and hundreds of individual donations from patrons of The Sanctuary for Independent Media\, co-sponsored by the Arts Department at RPI\, A.M.E. Zion Church and the New York State Council on the Arts. \n\n\n\n\n\n\n\nProduction still from Bling: A Planet Rock. Photograph by Irena Mihova.\n\n\n\nAbout the African Film Festival at the Sanctuary for Independent Media:\n\n\n\nThe Sanctuary for Independent Media’s annual African Film Festival begins in Troy on Tuesday\, April 8\, 2008. We will be presenting four feature films (including\, on the opening night of the festival\, Bling: A Planet Rock director Raquel Cepeda)\, four short subjects and an evening of African music with Grammy Award-nominated kora master Mamadou Diabate and his quartet. \n\n\n\n“From Egypt to South Africa\, veteran filmmakers are using film to address the issues changing the face of the African continent today\,” said Mahen Bonetti\, founder and executive director of the AFF. “Additionally\, technology is empowering emerging filmmakers to add their voices to those telling Africa’s stories.” \n\n\n\nEach evening of the Festival features one full-length film and one short: on Tuesday\, April 8; Wednesday\, April 9; Tuesday\, April 15 and Wednesday\, April 16. Films begin at 7 PM. In addition\, the music of Malian kora great Mamadou Diabate and his ensemble will be featured live in a concert at 8 PM on Friday\, April 11. The film lineup includes: \n\n\n\nBling: A Planet Rock (Raquel Cepeda\, Sierra Leone/USA. 2007\, 90″) A documentary about American hip-hop culture’s obsession with diamonds—“blinging”—and all its social trappings\, and how this infatuation correlated with the ten-year conflict in Sierra Leone\, West Africa. The film follows three rappers—Paul Wall\, Tego Calderon\, and Raekwon—as they trek to the country to meet the survivors\, perpetrators and diamond miners in the country. The film also features Kanye West\, Juelz Santana\, Jadakiss and former child soldier/author Ishmael Beah. \n\n\n\nGrowing Stronger (Tsitsi Dangarembga\, Zimbabwe. 2005\, 30″) After living a high profile life as a model and wife to the then-coach of the Zimbabwe national football team\, Tendayi Westerhof stunned the nation by becoming the first high profile person to go public about her HIV positive status in 2002. Her enemies increased\, some going to the extent of calling her disclosure a publicity gimmick. This beautiful woman has gone on to become a public figure in a very different way\, as an elegant and glamorous AIDS activist in the world of modeling and the public media. \n\n\n\nAbout the Filmmakers:\n\n\n\nRaquel Cepeda is an award-winning editor and multi-media journalist\, producer and filmmaker\, as well as a multi-cultural media consultant specializing in translating news and social/global issues into an authentic language that is palatable to younger generations—18-34 years of age—stateside and abroad. Cepeda is the director and writer Bling: A Planet Rock\, co-produced with a19\, VH1\, and the United Nations Development Programme (UNDP). She also served as a creative consulting producer on From Mambo to Hip-Hop\, directed by Henry Chalfant (Style Wars) for PBS (2007). \n\n\n\nCurrently\, Cepeda is in production on BLOW US UP!\, a wartime concert documentary starring platinum selling rapper Paul Wall and TV Johnny who will journey into the past to see the future—in Iraq and Johnny’s homeland\, Vietnam. Following in the tradition of the highly acclaimed Bling: A Planet Rock\, BLOW US UP! uses the medium of hip-hop to engage a new audience in the history of two American wars\, a generation and musical genre apart from each other. \n\n\n\nMalian kora musician\, Mamadou Diabate is a member of the Mandinka West African jeli (musician caste) family. His musical lineage goes back seven centuries to the time of Sunjata Keita\, the conqueror of the Malian empire. Now based in the United States\, Mamadou performs around North America and Europe. Interested in bringing the kora to new audiences\, he has played with jazz and other contemporary artists\, however he remains rooted in the traditions of the Manding kora and his griot heritage. He is one of a handful remaining kora players that are keeping alive the kora tradition. \n\n\n\nAbout the African Film Festival\n\n\n\nThe African Film Festival (AFF) is a New York non-profit arts organization. The organization\, established in 1990\, began as an ad hoc committee of African and American artists and scholars. In the 1950s and ’60s\, African filmmakers began to create images of post-colonial Africa with nuanced understanding of Africa’s cultural diversity. Over the last half a century\, having sliced through stereotypes with exacting social critique\, African cinema has become a unique blend of aesthetic experimentation\, history\, and politics. As African nations have constructed modern identities from traditional and colonial experiences\, the role of visual culture in communicating these new transitional identities has immediacy for audiences around the world. The impetus for themes such as colonialism\, post-independence corruption\, and chronicles of “tribal” customs often erupts from the ironies of contemporary life. But African filmmakers also draw from springs of myth\, fantasy\, humor\, and magic to nourish a narrative sensibility in which tradition and modernity encounter each other. The oral traditions\, unique pacing\, and non-linear style of African story-telling have in fact become classifying characteristics of African filmmaking. This kind of art is a powerful intellectual and emotional force for social change.  \n\n\n\nAs the twenty-first century begins\, we are witnessing a great revolution in mass communications capabilities that drastically reduces the distances between cultures. Images\, sounds\, and ideas are being exchanged almost instantaneously\, creating dynamic hybrid cultures. As Western consumer culture has influenced global society\, so it has been invigorated by the differing sensibilities\, traditions\, and styles of other cultures. Likewise\, African film has evolved from its early exploration of colonialism into a new\, diasporic\, and international consciousness. For the past decade\, the African Film Festival has bridged the divide between post-colonial Africa and the American public through the medium of film. AFF’s unique place in the international arts community is distinguished not only by leadership in festival management but a comprehensive approach to the advocacy of African film and culture. We are particularly mindful of the many ways in which cinema is as much a medium of cultural exchange as an educational gate-way. \n\n\n\nAbout the AME Zion Church of Troy\, NY:\n\n\n\nDevoted to religious\, educational and social causes\, the African Methodist Episcopal Zion Church and its members have been instrumental in many of the freedom struggles of this nation\, dating back to the days when former slaves Frederick Douglass\, Sojourner Truth and Harriet Tubman led the first wave of Black social activism. Since that time\, A.M.E. Zion members have made other significant contributions. AME Zion Bishop Alexander Walters\, along with Dr. W.E.B. DuBois\, helped to found the NAACP. Bishop Walters was also a pioneering member of the Pan-African Congress\, and many of the denomination’s clergy and lay people were active participants in the Civil Rights Movement of the ’60s. \n\n\n\nA.M.E. Zion Church made the salvation of the whole person–mind\, body and spirit–its top priority. At the crux of its ministry lay racial justice\, peace and harmony\, thus earning it the title\, the Freedom Church. \n\n\n\nAs the ministry expanded\, so did the denomination’s emphasis on education. “In order to succeed in American society as productive citizens\, we [the newly freed slaves] need to become an educated citizenry\,” an early AME Zion member once said. In keeping with that goal\, the Church maintains four colleges and universities today\, which are Livingstone College in Salisbury\, N.C.\, Clinton Junior College in Rock Hill\, S.C.\, and Lomax-Hannon Junior College in Greenville\, Alabama\, and A.M.E. Zion University in Monrovia\, Liberia. Additionally it maintains two theological seminaries\, Hood Theological Seminary in Salisbury\, NC and Hood Speaks Theological Seminary in Akwa Ibom State\, Nigeria. \n\n\n\nAlong with its emphasis on ministry and social change here in the United States\, the denomination has focused much of its attention and energies on outreach abroad. To date\, the A.M.E. Zion Church has member churches on all continents except Australia. In West Africa\, in particular\, the denomination has set up numerous schools and clinics throughout Ghana and Nigeria. The Church also has facilities in Liberia\, though some of its main structures have been destroyed by civil war. Overseas missions are a crucial component of the A.M.E. Zion Church’s outreach\, but the denomination believes in charity starting at home. That is why\, over the years\, several individual churches have implemented programs to help families to find low-income housing\, jobs\, financial planning assistance\, health care and day care services. “Our concern is for the whole person\,” says Bishop Cecil Bishop\, the (retired former) senior bishop of the A.M.E. Zion Church. “We have a holistic approach and a holistic gospel. We don’t feel that we live in a kind of compartmentalized sense\, but that life is a complete whole. So we have to be concerned about all of those amenities of life that help make up wholeness in an individual.” \n\n\n\nAbout The Sanctuary for Independent Media:\n\n\n\nThe Sanctuary for Independent Media is a telecommunications production facility dedicated to community media arts\, located in an historic former church in north Troy\, NY. The Sanctuary hosts screening\, production and performance facilities\, training in media production and a meeting space for artists\, activists and independent media makers of all kinds. On March 11\, 2008 the City of Troy closed The Sanctuary for Independent Media for alleged code violations just hours after the opening of a controversial series focusing on government intimidation and censorship under the guise of counter-terrorism. While the matter is being investigated by the NY Civil Liberties Union\, public events are being presented at Sanctuaries-in-exile throughout the Capital Region. \n\n\n\nAbout Rensselaer Polytechnic’s Department of the Arts:\n\n\n\nThe Department of the Arts at Rensselaer was founded in 1972. It is built around a world class faculty and is dedicated to interdisciplinary creative research in electronic arts\, offering a unique environment in which to develop and realize innovative art within a technological university. iEAR Presents! is a series of public performances\, exhibitions\, screenings and lectures. Curated by artist faculty\, iEAR Presents! seeks to bring artists into a creative dialogue regarding integrated electronic arts practice and theory with a participatory community of faculty and students from Rensselaer Polytechnic Institute and members of the general public.
URL:https://www.mediasanctuary.org/event/african-film-festival-featuring-bling-a-planet-rock-with-filmmaker-raquel-cepeda-and-growing-stronger/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Screening,Speaker
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20080409T190000
DTEND;TZID=America/New_York:20080409T213000
DTSTAMP:20220415T155441Z
CREATED:20220401T160430Z
LAST-MODIFIED:20220415T155441Z
UID:10001602-1207767600-1207776600@www.mediasanctuary.org
SUMMARY:African Film Festival Featuring "Clouds Over Conakry\," plus "Mama Put"
DESCRIPTION:Part of the African Film Festival\, a screening of Clouds Over Conakry (2007) by Cheick Fantamady Camara. At the age of 25\, the artist-caricaturist BB finds himself faced with an impossible choice. Son of Karamo\, the inflexible imam (who is also the guardian of his village’s ancestral traditions)\, BB is chosen to be his father’s worthy successor. But he refuses to accept his destiny\, preferring to fight to exert his trade freely and to live his love for the beautiful young computer scientist\, Kesso\, to the full. Presented with Seke Somolu’s Mama Put  (2006). The power of food to transform\, rescue\, and wreak revenge is eloquently demonstrated in this Nigerian film.  \n\n\n\nBecause the Sanctuary has been shut down by the City of Troy in an action currently under investigation by the New York Civil Liberties Union\, historic A.M.E. Zion Church at 189 Fifth Avenue (corner of 103rd Street in north Troy) has offered sanctuary to the Sanctuary. \n\n\n\nLocal presentation of the African Film Festival is made possible with volunteer labor and hundreds of individual donations from patrons of The Sanctuary for Independent Media\, co-sponsored by the Arts Department at RPI\, A.M.E. Zion Church and the New York State Council on the Arts. \n\n\n\n\n\n\n\nFilm still from Clouds Over Conakry.\n\n\n\nAbout the Films:\n\n\n\nClouds Over Conakry (Cheick Fantamady Camara\, Guinea. 2007\, 113″). A romantic twist on the standby theme of African cinema\, traditionalism vs. modernism\, as a lovestruck cartoonist learns the spirits have chosen him instead of his religious older brother to succeed his father as imam of Guinea’s capital\, Conakry. But he refuses to accept his destiny\, preferring to fight to exert his trade freely and to live his love to the full. \n\n\n\nMama Put (Seke Somolu\, Nigeria. 2006\, 26″). The power of food to transform\, rescue and wreak revenge is eloquently demonstrated in this Nigerian film. A single woman\, who makes and sells street food\, is struggling to bring up her family. Her young son desperately needs kidney treatment\, and just when it seems things can get no worse\, a gang of armed youths break in to the house. The mother decides that the gang must go\, and prepares a meal to send them on their way. \n\n\n\nAbout the African Film Festival\n\n\n\nThe African Film Festival (AFF) is a New York non-profit arts organization. The organization\, established in 1990\, began as an ad hoc committee of African and American artists and scholars. In the 1950s and ’60s\, African filmmakers began to create images of post-colonial Africa with nuanced understanding of Africa’s cultural diversity. Over the last half a century\, having sliced through stereotypes with exacting social critique\, African cinema has become a unique blend of aesthetic experimentation\, history\, and politics. As African nations have constructed modern identities from traditional and colonial experiences\, the role of visual culture in communicating these new transitional identities has immediacy for audiences around the world. The impetus for themes such as colonialism\, post-independence corruption\, and chronicles of “tribal” customs often erupts from the ironies of contemporary life. But African filmmakers also draw from springs of myth\, fantasy\, humor\, and magic to nourish a narrative sensibility in which tradition and modernity encounter each other. The oral traditions\, unique pacing\, and non-linear style of African story-telling have in fact become classifying characteristics of African filmmaking. This kind of art is a powerful intellectual and emotional force for social change.  \n\n\n\nAs the twenty-first century begins\, we are witnessing a great revolution in mass communications capabilities that drastically reduces the distances between cultures. Images\, sounds\, and ideas are being exchanged almost instantaneously\, creating dynamic hybrid cultures. As Western consumer culture has influenced global society\, so it has been invigorated by the differing sensibilities\, traditions\, and styles of other cultures. Likewise\, African film has evolved from its early exploration of colonialism into a new\, diasporic\, and international consciousness. For the past decade\, the African Film Festival has bridged the divide between post-colonial Africa and the American public through the medium of film. AFF’s unique place in the international arts community is distinguished not only by leadership in festival management but a comprehensive approach to the advocacy of African film and culture. We are particularly mindful of the many ways in which cinema is as much a medium of cultural exchange as an educational gate-way. \n\n\n\nAbout the AME Zion Church of Troy\, NY:\n\n\n\nDevoted to religious\, educational and social causes\, the African Methodist Episcopal Zion Church and its members have been instrumental in many of the freedom struggles of this nation\, dating back to the days when former slaves Frederick Douglass\, Sojourner Truth and Harriet Tubman led the first wave of Black social activism. Since that time\, A.M.E. Zion members have made other significant contributions. AME Zion Bishop Alexander Walters\, along with Dr. W.E.B. DuBois\, helped to found the NAACP. Bishop Walters was also a pioneering member of the Pan-African Congress\, and many of the denomination’s clergy and lay people were active participants in the Civil Rights Movement of the ’60s. \n\n\n\nA.M.E. Zion Church made the salvation of the whole person–mind\, body and spirit–its top priority. At the crux of its ministry lay racial justice\, peace and harmony\, thus earning it the title\, the Freedom Church. \n\n\n\nAs the ministry expanded\, so did the denomination’s emphasis on education. “In order to succeed in American society as productive citizens\, we [the newly freed slaves] need to become an educated citizenry\,” an early AME Zion member once said. In keeping with that goal\, the Church maintains four colleges and universities today\, which are Livingstone College in Salisbury\, N.C.\, Clinton Junior College in Rock Hill\, S.C.\, and Lomax-Hannon Junior College in Greenville\, Alabama\, and A.M.E. Zion University in Monrovia\, Liberia. Additionally it maintains two theological seminaries\, Hood Theological Seminary in Salisbury\, NC and Hood Speaks Theological Seminary in Akwa Ibom State\, Nigeria. \n\n\n\nAlong with its emphasis on ministry and social change here in the United States\, the denomination has focused much of its attention and energies on outreach abroad. To date\, the A.M.E. Zion Church has member churches on all continents except Australia. In West Africa\, in particular\, the denomination has set up numerous schools and clinics throughout Ghana and Nigeria. The Church also has facilities in Liberia\, though some of its main structures have been destroyed by civil war. Overseas missions are a crucial component of the A.M.E. Zion Church’s outreach\, but the denomination believes in charity starting at home. That is why\, over the years\, several individual churches have implemented programs to help families to find low-income housing\, jobs\, financial planning assistance\, health care and day care services. “Our concern is for the whole person\,” says Bishop Cecil Bishop\, the (retired former) senior bishop of the A.M.E. Zion Church. “We have a holistic approach and a holistic gospel. We don’t feel that we live in a kind of compartmentalized sense\, but that life is a complete whole. So we have to be concerned about all of those amenities of life that help make up wholeness in an individual.” \n\n\n\nAbout The Sanctuary for Independent Media:\n\n\n\nThe Sanctuary for Independent Media is a telecommunications production facility dedicated to community media arts\, located in an historic former church in north Troy\, NY. The Sanctuary hosts screening\, production and performance facilities\, training in media production and a meeting space for artists\, activists and independent media makers of all kinds. On March 11\, 2008 the City of Troy closed The Sanctuary for Independent Media for alleged code violations just hours after the opening of a controversial series focusing on government intimidation and censorship under the guise of counter-terrorism. While the matter is being investigated by the NY Civil Liberties Union\, public events are being presented at Sanctuaries-in-exile throughout the Capital Region. \n\n\n\nAbout Rensselaer Polytechnic Department of the Arts:\n\n\n\nThe Department of the Arts at Rensselaer was founded in 1972. It is built around a world class faculty and is dedicated to interdisciplinary creative research in electronic arts\, offering a unique environment in which to develop and realize innovative art within a technological university. iEAR Presents! is a series of public performances\, exhibitions\, screenings and lectures. Curated by artist faculty\, iEAR Presents! seeks to bring artists into a creative dialogue regarding integrated electronic arts practice and theory with a participatory community of faculty and students from Rensselaer Polytechnic Institute and members of the general public.
URL:https://www.mediasanctuary.org/event/african-film-festival-featuring-clouds-over-conakry-plus-mama-put/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20080415T190000
DTEND;TZID=America/New_York:20080415T213000
DTSTAMP:20220404T145612Z
CREATED:20220401T165607Z
LAST-MODIFIED:20220404T145612Z
UID:10001603-1208286000-1208295000@www.mediasanctuary.org
SUMMARY:African Film Festival featuring "Juju Factory\," plus "Menged"
DESCRIPTION:As part of the African Film Festival\, we present a screening of Balfua Bakupu-Kanyinda’s film Juju Factory (2007). Kongo Congo lives in Brussels\, in the Matange district on which he is writing a book. His editor wants a kind of traveler’s book spiced with ethnic ingredients. However\, the writer is inspired by the vision of complex and tormented souls that he meets at all crossings. Through his writing\, he meditates upon the invisible connections between Congolese history and its ghosts. How is it possible to stand upright in this chaotic history? By having the “juju”\, self confidence\, and Beatrice’s love.  \n\n\n\nScreened with Jean-Pierre Bekolo’s Menged (2006). Adopted from an Ethiopian folktale\, this film is very much a parable for Ethiopia today. A country in transition between modernism and traditional belief.  \n\n\n\nBecause the Sanctuary has been shut down by the City of Troy in an action currently under investigation by the New York Civil Liberties Union\, historic A.M.E. Zion Church at 189 Fifth Avenue (corner of 103rd Street in north Troy) has offered sanctuary to the Sanctuary.  \n\n\n\nLocal presentation of the African Film Festival is made possible with volunteer labor and hundreds of individual donations from patrons of The Sanctuary for Independent Media\, co-sponsored by the Arts Department at RPI\, A.M.E. Zion Church and the New York State Council on the Arts. \n\n\n\n\n\n\n\nStill from Balfua Bakupu-Kanyinda’s film Juju Factory. \n\n\n\nAbout the African Film Festival:\n\n\n\nThe African Film Festival (AFF) is a New York non-profit arts organization. The organization\, established in 1990\, began as an ad hoc committee of African and American artists and scholars. In the 1950s and ’60s\, African filmmakers began to create images of post-colonial Africa with nuanced understanding of Africa’s cultural diversity. Over the last half a century\, having sliced through stereotypes with exacting social critique\, African cinema has become a unique blend of aesthetic experimentation\, history\, and politics. As African nations have constructed modern identities from traditional and colonial experiences\, the role of visual culture in communicating these new transitional identities has immediacy for audiences around the world. The impetus for themes such as colonialism\, post-independence corruption\, and chronicles of “tribal” customs often erupts from the ironies of contemporary life. But African filmmakers also draw from springs of myth\, fantasy\, humor\, and magic to nourish a narrative sensibility in which tradition and modernity encounter each other. The oral traditions\, unique pacing\, and non-linear style of African story-telling have in fact become classifying characteristics of African filmmaking. This kind of art is a powerful intellectual and emotional force for social change.  \n\n\n\nAs the twenty-first century begins\, we are witnessing a great revolution in mass communications capabilities that drastically reduces the distances between cultures. Images\, sounds\, and ideas are being exchanged almost instantaneously\, creating dynamic hybrid cultures. As Western consumer culture has influenced global society\, so it has been invigorated by the differing sensibilites\, traditions\, and styles of other cultures. Likewise\, African film has evolved from its early exploration of colonialism into a new\, diasporic\, and international consciousness. For the past decade\, the African Film Festival has bridged the divide between post-colonial Africa and the American public through the medium of film. AFF’s unique place in the international arts community is distinguished not only by leadership in festival management but a comprehensive approach to the advocacy of African film and culture. We are particularly mindful of the many ways in which cinema is as much a medium of cultural exchange as an educational gate-way. \n\n\n\nAbout the A.M.E. Zion Church of Troy\, NY:\n\n\n\nDevoted to religious\, educational and social causes\, the A.M.E. Zion Church and its members have been instrumental in many of the freedom struggles of this nation\, dating back to the days when former slaves Frederick Douglass\, Sojourner Truth and Harriet Tubman led the first wave of Black social activism. Since that time\, A.M.E. Zion members have made other significant contributions. AME Zion Bishop Alexander Walters\, along with Dr. W.E.B. DuBois\, helped to found the NAACP. Bishop Walters was also a pioneering member of the Pan-African Congress\, and many of the denomination’s clergy and lay people were active participants in the Civil Rights Movement of the ’60s. A.M.E. Zion Church made the salvation of the whole person–mind\, body and spirit–its top priority. At the crux of its ministry lay racial justice\, peace and harmony\, thus earning it the title\, the Freedom Church.  \n\n\n\nAs the ministry expanded\, so did the denomination’s emphasis on education. “In order to succeed in American society as productive citizens\, we [the newly freed slaves] need to become an educated citizenry\,” an early AME Zion member once said. In keeping with that goal\, the Church maintains four colleges and universities today\, which are Livingstone College in Salisbury\, N.C.\, Clinton Junior College in Rock Hill\, S.C.\, and Lomax-Hannon Junior College in Greenville\, Alabama\, and A.M.E. Zion University in Monrovia\, Liberia. Additionally it maintains two theological seminaries\, Hood Theological Seminary in Salisbury\, NC and Hood Speaks Theological Seminary in Akwa Ibom State\, Nigeria. Along with its emphasis on ministry and social change here in the United States\, the denomination has focused much of its attention and energies on outreach abroad. To date\, the A.M.E. Zion Church has member churches on all continents except Australia.  \n\n\n\nIn West Africa\, in particular\, the denomination has set up numerous schools and clinics throughout Ghana and Nigeria. The Church also has facilities in Liberia\, though some of its main structures have been destroyed by civil war. Overseas missions are a crucial component of the A.M.E. Zion Church’s outreach\, but the denomination believes in charity starting at home. That is why\, over the years\, several individual churches have implemented programs to help families to find low-income housing\, jobs\, financial planning assistance\, health care and day care services. “Our concern is for the whole person\,” says Bishop Cecil Bishop\, the (retired former) senior bishop of the A.M.E. Zion Church. “We have a holistic approach and a holistic gospel. We don’t feel that we live in a kind of compartmentalized sense\, but that life is a complete whole. So we have to be concerned about all of those amenities of life that help make up wholeness in an individual.” \n\n\n\nAbout The Sanctuary for Independent Media:\n\n\n\nThe Sanctuary for Independent Media is a telecommunications production facility dedicated to community media arts\, located in an historic former church in north Troy\, NY. The Sanctuary hosts screening\, production and performance facilities\, training in media production and a meeting space for artists\, activists and independent media makers of all kinds. On March 11\, 2008 the City of Troy closed The Sanctuary for Independent Media for code violations just hours after the opening of a controversial series focusing on government intimidation and censorship under the guise of counter-terrorism. While the matter is being investigated by the NY Civil Liberties Union\, public events are being presented at Sanctuaries-in-exile throughout the Capital Region. \n\n\n\nAbout the Rensselaer Polytechnic Department of the Arts\n\n\n\nThe Department of the Arts at Rensselaer was founded in 1972. It is built around a world class faculty and is dedicated to interdisciplinary creative research in electronic arts\, offering a unique environment in which to develop and realize innovative art within a technological university. iEAR Presents! is a series of public performances\, exhibitions\, screenings and lectures. Curated by artist faculty\, iEAR Presents! seeks to bring artists into a creative dialogue regarding integrated electronic arts practice and theory with a participatory community of faculty and students from Rensselaer Polytechnic Institute and members of the general public.
URL:https://www.mediasanctuary.org/event/african-film-festival-featuring-juju-factory-plus-menged/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20080416T190000
DTEND;TZID=America/New_York:20080416T213000
DTSTAMP:20220404T151945Z
CREATED:20220305T231032Z
LAST-MODIFIED:20220404T151945Z
UID:10001589-1208372400-1208381400@www.mediasanctuary.org
SUMMARY:African Film Festival Featuring "Les Saignantes\," Plus "Meokgo and the Stick Fighter"
DESCRIPTION:Jean-Pierre Bekolo’s Les Saignantes (2005) is a superbly photographed\, stylishly edited\, and tastefully scored film about two young femmes fatales who set out to rid a futuristic country of its corrupt and sex-obsessed powerful men. Young\, attractive\, fashionable\, and lethal\, they are on a mission to change the destiny of their country. Reveling in its display of excess\, committed to aesthetics of cool\, this is one of the first science fiction films to come out of Africa. \n\n\n\nScreened with Teboho Malatshi’s Meokgo and the Stick Fighter (2006)\, the story of Kgotso\, a recluse stick fighter who lives a solitary life high up in the Maluti Mountains of Lesotho. Whilst tending sheep and playing his concertina\, he sees a beautiful and mysterious woman staring at him dreamily from the water. This story of unrequited love and sacrifice captures both the cruelty and the beauty of African magical beliefs. Part of the African Film Festival program. \n\n\n\nBecause the Sanctuary has been shut down by the City of Troy in an action currently under investigation by the New York Civil Liberties Union\, historic A.M.E. Zion Church at 189 Fifth Avenue (corner of 103rd Street in north Troy) has offered sanctuary to the Sanctuary. \n\n\n\nLocal presentation of the African Film Festival is made possible with volunteer labor and hundreds of individual donations from patrons of The Sanctuary for Independent Media\, co-sponsored by the Arts Department at RPI\, A.M.E. Zion Church and the New York State Council on the Arts. \n\n\n\n\n\n\n\nFilm still from Jean-Pierre Bekolo’s Les Saignantes (2005).\n\n\n\nAbout the African Film Festival:\n\n\n\nThe African Film Festival (AFF) is a New York non-profit arts organization. The organization\, established in 1990\, began as an ad hoc committee of African and American artists and scholars. In the 1950s and ’60s\, African filmmakers began to create images of post-colonial Africa with nuanced understanding of Africa’s cultural diversity. Over the last half a century\, having sliced through stereotypes with exacting social critique\, African cinema has become a unique blend of aesthetic experimentation\, history\, and politics. As African nations have constructed modern identities from traditional and colonial experiences\, the role of visual culture in communicating these new transitional identities has immediacy for audiences around the world. The impetus for themes such as colonialism\, post-independence corruption\, and chronicles of “tribal” customs often erupts from the ironies of contemporary life. But African filmmakers also draw from springs of myth\, fantasy\, humor\, and magic to nourish a narrative sensibility in which tradition and modernity encounter each other. The oral traditions\, unique pacing\, and non-linear style of African story-telling have in fact become classifying characteristics of African filmmaking. This kind of art is a powerful intellectual and emotional force for social change.  \n\n\n\nAs the twenty-first century begins\, we are witnessing a great revolution in mass communications capabilities that drastically reduces the distances between cultures. Images\, sounds\, and ideas are being exchanged almost instantaneously\, creating dynamic hybrid cultures. As Western consumer culture has influenced global society\, so it has been invigorated by the differing sensibilities\, traditions\, and styles of other cultures. Likewise\, African film has evolved from its early exploration of colonialism into a new\, diasporic\, and international consciousness. For the past decade\, the African Film Festival has bridged the divide between post-colonial Africa and the American public through the medium of film. AFF’s unique place in the international arts community is distinguished not only by leadership in festival management but a comprehensive approach to the advocacy of African film and culture. We are particularly mindful of the many ways in which cinema is as much a medium of cultural exchange as an educational gate-way. \n\n\n\nAbout the AME Zion Church of Troy\, NY:\n\n\n\nDevoted to religious\, educational and social causes\, the African Methodist Episcopal Zion Church and its members have been instrumental in many of the freedom struggles of this nation\, dating back to the days when former slaves Frederick Douglass\, Sojourner Truth and Harriet Tubman led the first wave of Black social activism. Since that time\, A.M.E. Zion members have made other significant contributions. AME Zion Bishop Alexander Walters\, along with Dr. W.E.B. DuBois\, helped to found the NAACP. Bishop Walters was also a pioneering member of the Pan-African Congress\, and many of the denomination’s clergy and lay people were active participants in the Civil Rights Movement of the ’60s. \n\n\n\nA.M.E. Zion Church made the salvation of the whole person–mind\, body and spirit–its top priority. At the crux of its ministry lay racial justice\, peace and harmony\, thus earning it the title\, the Freedom Church. \n\n\n\nAs the ministry expanded\, so did the denomination’s emphasis on education. “In order to succeed in American society as productive citizens\, we [the newly freed slaves] need to become an educated citizenry\,” an early AME Zion member once said. In keeping with that goal\, the Church maintains four colleges and universities today\, which are Livingstone College in Salisbury\, N.C.\, Clinton Junior College in Rock Hill\, S.C.\, and Lomax-Hannon Junior College in Greenville\, Alabama\, and A.M.E. Zion University in Monrovia\, Liberia. Additionally it maintains two theological seminaries\, Hood Theological Seminary in Salisbury\, NC and Hood Speaks Theological Seminary in Akwa Ibom State\, Nigeria. \n\n\n\nAlong with its emphasis on ministry and social change here in the United States\, the denomination has focused much of its attention and energies on outreach abroad. To date\, the A.M.E. Zion Church has member churches on all continents except Australia. In West Africa\, in particular\, the denomination has set up numerous schools and clinics throughout Ghana and Nigeria. The Church also has facilities in Liberia\, though some of its main structures have been destroyed by civil war. Overseas missions are a crucial component of the A.M.E. Zion Church’s outreach\, but the denomination believes in charity starting at home. That is why\, over the years\, several individual churches have implemented programs to help families to find low-income housing\, jobs\, financial planning assistance\, health care and day care services. “Our concern is for the whole person\,” says Bishop Cecil Bishop\, the (retired former) senior bishop of the A.M.E. Zion Church. “We have a holistic approach and a holistic gospel. We don’t feel that we live in a kind of compartmentalized sense\, but that life is a complete whole. So we have to be concerned about all of those amenities of life that help make up wholeness in an individual.” \n\n\n\nAbout The Sanctuary for Independent Media:\n\n\n\nThe Sanctuary for Independent Media is a telecommunications production facility dedicated to community media arts\, located in an historic former church in north Troy\, NY. The Sanctuary hosts screening\, production and performance facilities\, training in media production and a meeting space for artists\, activists and independent media makers of all kinds. On March 11\, 2008 the City of Troy closed The Sanctuary for Independent Media for alleged code violations just hours after the opening of a controversial series focusing on government intimidation and censorship under the guise of counter-terrorism. While the matter is being investigated by the NY Civil Liberties Union\, public events are being presented at Sanctuaries-in-exile throughout the Capital Region. \n\n\n\nAbout Rensselaer Polytechnic’s Department of the Arts:\n\n\n\nThe Department of the Arts at Rensselaer was founded in 1972. It is built around a world class faculty and is dedicated to interdisciplinary creative research in electronic arts\, offering a unique environment in which to develop and realize innovative art within a technological university. iEAR Presents! is a series of public performances\, exhibitions\, screenings and lectures. Curated by artist faculty\, iEAR Presents! seeks to bring artists into a creative dialogue regarding integrated electronic arts practice and theory with a participatory community of faculty and students from Rensselaer Polytechnic Institute and members of the general public.
URL:https://www.mediasanctuary.org/event/african-film-festival-featuring-les-saignantes-plus-meokgo-and-the-stick-fighter/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20080530T190000
DTEND;TZID=America/New_York:20080530T213000
DTSTAMP:20230626T145254Z
CREATED:20080530T162100Z
LAST-MODIFIED:20230626T145254Z
UID:10001606-1212174000-1212183000@www.mediasanctuary.org
SUMMARY:Termite TV Collective Talk and Screening
DESCRIPTION:Termite TV is a video collective with members based in Philadelphia\, Baltimore and Buffalo. Founded in 1992 with a mission to create experimental and activist work to challenge the status quo and provide an alternative to corporate media. Termite TV has produced more than 40 programs broadcast nationally on television and screened at festivals and museums worldwide. The presentation will take place at Digital Artist Space\, 27 2nd Street in downtown Troy.
URL:https://www.mediasanctuary.org/event/termite-tv-collective-talk-and-screening/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Panel Discussion,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20080531T200000
DTEND;TZID=America/New_York:20080531T220000
DTSTAMP:20230626T153438Z
CREATED:20080531T144300Z
LAST-MODIFIED:20230626T153438Z
UID:10000831-1212264000-1212271200@www.mediasanctuary.org
SUMMARY:"Venezuela Rising" screening with Filmmaker Jennifer Wager
DESCRIPTION:As seen through the eyes of grandmother and community organizer Gladys Bolivar\, the documentary Venezuela Rising follows her and her compatriots five days before it is to be decided by popular referendum whether Venezuelan President Hugo Chavez will continue in office or step down. The entire nation has been mobilized–will it be SI–yes he will be recalled\, or NO–he will remain in office. Most in Venezuela feel that no less than the entire future of their country is at stake. \n\n\n\nIssues of democracy and politics are addressed–what constitutes a free and fair election–and is that enough to ensure citizen participation? How are elections the ultimate measure of a thriving democracy? \n\n\n\nVenezuela Rising gets behind the headlines and into the neighborhoods of Caracas to find out how participatory democracy works on the ground.Jennifer Wager is a NYC media educator and director of the film. She currently teaches video production and post-production at Manhattan Neighborhood Network\, the flagship community TV station in the U.S. \n\n\n\nShe also serves on the board of the National Mobilization Against Sweatshops\, with whom she has facilitated a community video oral history project\, producing a DVD and Web-based series of short films on the lives of immigrant and working class women from the Lower East Side. Since 1995\, Ms. Wager has created several online experimental education projects\, including the Smithsonian-award winning W.E.B. Du Bois Virtual University. Ms. Wager holds a M.A. in African Studies from Ohio State University and a M.A. in Communication and Technology from Georgetown University. This is her second documentary on Venezuela. Her first\, Hij@s de Bolivar\, was shot in the months immediately following the 2002 coup.
URL:https://www.mediasanctuary.org/event/venezuela-rising-screening-with-filmmaker-jennifer-wager/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Panel Discussion,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20080606T190000
DTEND;TZID=America/New_York:20080606T213000
DTSTAMP:20230626T154227Z
CREATED:20080606T145500Z
LAST-MODIFIED:20230626T154227Z
UID:10000832-1212778800-1212787800@www.mediasanctuary.org
SUMMARY:"The Lost Generation" with Filmmaker Sharmeen Obaid-Chinoy
DESCRIPTION:Internationally-celebrated filmmaker Sharmeen Obaid-Chinoy will speak at a screening of her new film The Lost Generation at The Sanctuary for Independent Media on Friday\, June 6\, 2008 at 7 PM. Admission is by donation ($10 suggested\, $5 student/low income). \n\n\n\nLocal presentation of Sharmeen Obaid-Chinoy is co-sponsored by Bethlehem Neighbors for Peace\, made possible by volunteer labor and small financial contributions from hundreds of patrons of The Sanctuary For Independent Media. \n\n\n\nSharmeen Obaid-Chinoy is the first non-American journalist to be awarded the prestigious Livingston Award and the youngest recipient of the One World Media broadcast journalist of the year award in the United Kingdom. \n\n\n\nOver the past seven years she has produced and reported on 13 films for major networks in the United States and Britain including CNN\, PBS\, Channel 4 (U.K.) and the Discovery channel. Her work has earned her major awards in broadcast journalism including the Overseas Press Club Award\, The American women and Radio and Television award\, The Cine Golden Eagle Award\, The Banff TV Rockie award and the South Asian Journalist Award. \n\n\n\nIn her latest film–The Lost Generation (2008)–filmmaker Sharmeen Obaid-Chinoy investigates the biggest and most catastrophic refugee crisis in the Middle East since the Palestinian diaspora of 1948. \n\n\n\nIn the past five years more than four million Iraqis–20 per cent of the entire population–have been driven from their homes as a result of the war and sectarian bloodshed. Two million have become exiles\, living desperate lives across the border in Syria and Jordan. \n\n\n\nThe film travels to Syria and Jordan to investigate the plight of Iraqi refugees. These are the very people on whom the new\, democratic Iraq was to be built–the professional middle classes–nearly half of whom now live as desperate refugees\, driven out by the violence and civil breakdown. \n\n\n\nSharmeen’s work has taken her to more than ten countries around the world. Her career in documentary filmmaking began when she examined the plight of Afghani refugee children in Pakistan for one of her articles. Their situation was so dire\, and their stories so compelling\, that Sharmeen decided to return to Pakistan and create a film about them. She petitioned Smith College and New York Times Television production division for the grants that would allow her to accomplish her goals. Intrigued by her story\, both organizations gave her the funds as well as production equipment and training. \n\n\n\nBorn in Karachi\, Sharmeen Obaid-Chinoy was the first woman in her Pakistani family to receive a Western education. Obaid graduated from Smith College with a bachelor of arts in economics and government and then went to complete two master’s degrees from Stanford University in International Policy Studies and Communication.
URL:https://www.mediasanctuary.org/event/the-lost-generation-with-filmmaker-sharmeen-obaid-chinoy/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Panel Discussion,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20080912T190000
DTEND;TZID=America/New_York:20080912T210000
DTSTAMP:20220404T163046Z
CREATED:20080921T154700Z
LAST-MODIFIED:20220404T163046Z
UID:10001017-1221246000-1221253200@www.mediasanctuary.org
SUMMARY:"Body of War" with Filmmaker Dee Dee Halleck
DESCRIPTION:Tomas Young\, 25 years old\, was paralyzed by a bullet to his spine after serving in Iraq for less than a week. Body of War (2007) follows Tomas as he comes to terms with his disability and finds his own unique and passionate voice against the war. This documentary was produced and directed by Phil Donahue and Ellen Spiro. Legendary community media activist Dee Dee Halleck\, who played a major role in bringing this story to film\, will speak about the film. Iraq War vet Tyler Boudreau will sign copies of his new book Packing Inferno: The Unmaking of a Marine. \n\n\n\nCo-sponsored by the Independent Living Center of the Hudson Valley\, Women Against War and Bethlehem Neighbors for Peace.
URL:https://www.mediasanctuary.org/event/body-of-war-with-filmmaker-dee-dee-halleck/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Panel Discussion,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20081016T190000
DTEND;TZID=America/New_York:20081016T210000
DTSTAMP:20230626T164557Z
CREATED:20081016T142500Z
LAST-MODIFIED:20230626T164557Z
UID:10000847-1224183600-1224190800@www.mediasanctuary.org
SUMMARY:"A Jihad for Love" with Filmmaker Parvez Sharma
DESCRIPTION:Muslim gay filmmaker Parvez Sharma has gone where the silence is loudest with a daring feature documentary\, A Jihad for Love (2007). Exploring the complex global intersections between Islam and homosexuality\, the film was created with great risk and secrecy in 9 languages and 12 countries where government permission was not an option. As a Muslim\, Parvez works from within the faith\, depicting Islam with the same respect that the film’s characters show for it.  \n\n\n\nCo-sponsored by Women Against War. \n\n\n\n\n\n\n\nStill from A Jihad for Love by Parvez Sharma \n\n\n\nPress Release:\n\n\n\nIn a time when Islam is under tremendous attack-from within and without-“A Jihad for Love” is a daring documentary filmed in twelve countries and nine languages. Muslim gay filmmaker Parvez Sharma has gone where the silence is loudest\, filming with great risk in nations where government permission to make this film was not an option. \n\n\n\n“A Jihad for Love” is Mr. Sharma’s debut and the world’s first feature documentary to explore the complex global intersections between Islam and homosexuality. Parvez enters the many worlds of Islam by illuminating multiple stories as diverse as Islam itself. The film travels a wide geographic arc presenting us lives from India\, Pakistan\, Iran\, Turkey\, Egypt\, South Africa andFrance. Always filming in secret and as a Muslim\, Parvez makes the film from within the faith\, depicting Islam with the same respect that the film’s characters show for it. “A Jihad for Love” is co-produced by Sandi DuBowski (director/producer of the award-winning “Trembling Before G-d”) in association with ZDF-Arte\, Channel 4\, LOGO\, SBS-Australia\, The Sundance Documentary Fund and The Katahdin Foundation. \n\n\n\nIn Western media\, the concept of “jihad” is often narrowly equated with holy war. But Jihad also has a deeper meaning\, its literal Arabic being “struggle” or “to strive in the path of God.” In this film we meet several characters engaged in their personal Jihad’s for love. The people in this film have a lot to teach us about love. Their pursuit of love has brought them into conflicts with their countries\, families\, and even themselves. Such is the quandary of being both homosexual and Muslim\, a combination so taboo that very little about it has been documented. \n\n\n\nAs a result the majority of gay and lesbian Muslims must travel a twisting\, lonely and often dangerous road. The majority of Muslims believe that homosexuality is forbidden by the Quran and many scholars quote Hadith (sayings attributed to the Prophet Muhammad) to directly condemn homosexuality. Islam\, already the second largest religion in the world\, is also the fastest growing. Fifty nations have a Muslim majority. In a few of those nations laws interpreted from alleged Quranic prohibitions of male homosexuality (lesbianism is allegedly absent from the Quran) are enforced by religious\, tribal or military authorities to monitor\, entrap\, imprison\, torture and even execute homosexuals. Even for those who migrate to Europe or North America and adopt Western personae of “gay” or “queer\,” the relative freedoms of new homelands are mitigated by persistent racial profiling and intensified state surveillance after the attacks of 9/11 and train bombings in Madrid and London. \n\n\n\nAs a result\, many gay and lesbian Muslims end up renouncing their religion completely. But the real-life characters of “A Jihad for Love” aren’t willing to abandon a faith they cherish and that sustains them. Instead\, they struggle to reconcile their ardent belief with the innate reality of their being. The international chorus of gay and lesbian Muslims brought together by “A Jihad for Love” doesn’t seek to vilify or reject Islam\, but rather negotiate a new relationship to it. In doing so\, the film’s extraordinary characters attempt to point the way for all Muslims to move beyond the hostile\, war-torn present\, toward a more hopeful future. As one can imagine\, it was a difficult decision for the subjects to participate in the film due to the violence they could face. It took the filmmaker six years to finish this film and he\, like those who have stepped forward to tell their stories\, feel that they are Islam’s most unlikely storytellers. All of them feel that this film is too important for over a billion Muslims-and all the non-Muslims in the world-for them to say no. They are willing to take the risk in their quest to lay equal claim to their profoundly held faith. \n\n\n\n“A Jihad for Love”’s characters each have vastly different personal takes on Islam\, some observing a rigorously orthodox regimen\, others leading highly secular lifestyles while remaining spiritually devout. As the camera attentively captures their stories\, the film’s gay and lesbian characters emerge in all their human complexity\, giving the viewer an honest rendering of their lives while complicating our assumptions about a monolithic Muslim community. \n\n\n\nCrucially\, this film speaks with a Muslim voice\, unlike other documentaries about sexual politics in Islam made by Western directors. In the hope of opening a dialogue that has been mostly non-existent\, in Islam’s recent history and defining jihad as a “struggle” rather than a “war\,” the film presents the struggle for love. \n\n\n\nParvez Sharma Biography:\n\n\n\nParvez Sharma (producer/director of “A Jihad for Love”) is a Muslim gay filmmaker born and raised in India. For three years\, Sharma worked as a broadcast journalist for Asia’s premiere and most highly-rated 24-hour news network\, the Star News Channel/NDTV\, covering major assignments across the Indian subcontinent and specializing in investigative/human rights stories and political profiles. He worked as producer and/or editor for BBC World Television’s Moneywise and IndiaTomorrow\, Central Television (UK)\, The Discovery Channel (US)\, and the World Bank Film and Video Unit (US). He was the assistant director for the award-winning feature\, “Dance of the Wind\,” produced by Pandora Film in Germany and NFDC India with director Rajan Khosa which won awards at the London\, Rotterdam and Nantes Film Festivals. In 2005\, he was a producer at Democracy Now!\, the nationally broadcast radio and television program which airs on 225 stations across North America with award-winning host Amy Goodman. He produced\, edited and did additional camera for the DVD of Peter Friedman’s Sundance Grand Jury Award winning film “Silverlake Life.” \n\n\n\nParvez Sharma received his bachelor’s degree in English Literature from Presidency College\, University of Calcutta (India) and three Masters degrees: Mass Communication (Film and Television) from India’s premier MCRC\, Jamia Millia Islamia University; Broadcast Journalism from the University of Wales College of Cardiff\, UK; and Film and Video from American University’s School of Communication. He has taught Indian film and other media courses at American University’s Department of Anthropology and its School of Communication in Washington\, DC. \n\n\n\nIn the nineties\, Sharma was a print journalist for several prominent Indian newspapers including The Telegraph\, The Statesman\, The Economic Times\, The Business Standard\, and India Currents Magazine. While at the Statesman he reported on what was the first ever detailing of the lesbian experience within India for a national newspaper-“Emerging from the Shadows” (July 3\, 1994)–which became a rallying point for lesbians around the country and was crucial in the formation of many lesbian organizations. As an activist he was instrumental in setting up the first organized LGBTQ effort in the eastern state of West Bengal\, setting benchmarks for many other LGBT organizing efforts around the subcontinent. Parvez has spoken internationally on distinguished film/media panels and panels on issues crucial to LGBT communities in a South Asian and Muslim context. He was a featured speaker at Yale University Law School\, at th Persistent Vision in San Francisco\, The Open Society Institute in New York\, The Center for Gay and Lesbian Studies in New York and at Amnesty International’s Human Rights Conference–Global Pride\, Global Action: Empowering the Spirit of Human Rights. \n\n\n\nSharma’s first feature documentary\, “A Jihad for Love\,” is co-produced with the UK’s Channel 4\, France’s ARTE\, Germany’s ZDF\, Australia’s SBS\, and U.S. MTV-LOGO. His work and the film have been profiled by The New York Times\, Variety\, The Atlantic Monthly\, Hollywood Reporter\, indieWIRE\, France’s Tetu Magazine\, San Francisco Gate\, on NPR-Chicago and numerous other publications. \n\n\n\nThe film has been supported by a wide number of foundations including The van Ameringen Foundation\, The Hartley Film Foundation\, The Mathilde Krim Foundation\, The Andrew Tobias Foundation-Stonewall Community Foundation\, the E. Rhodes and Leona B. Carpenter Foundation\, The Fledgling Fund\, The Bruce Bastion Foundation\, The Foundation for Fairer Capitalism\, The Ted Snowdon Foundation\, and The Mark D. Hostetter and Alexander N. Habib Foundation. He was honored with a nomination for a 2007 Rockefeller Film/Video/Multimedia Fellowship. \n\n\n\nWith his wide range of experience in film\, television and activism spanning three continents (Asia\, Europe\, and North America)\, and his proficiency in five languages (English\, Hindi\, Urdu\, Bengali\, and Punjabi)\, Sharma hopes to bring a rich cultural perspective and an honest and skillful depiction of Islam-and his very own communities- to this film and the courageous journeys it documents and the global dialogue it catalyzes.
URL:https://www.mediasanctuary.org/event/a-jihad-for-love-with-filmmaker-parvez-sharma/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Panel Discussion,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20081024T190000
DTEND;TZID=America/New_York:20081024T210000
DTSTAMP:20230626T165926Z
CREATED:20081024T143700Z
LAST-MODIFIED:20230626T165926Z
UID:10000850-1224874800-1224882000@www.mediasanctuary.org
SUMMARY:"A Summer in the Cage" with Filmmaker Ben Selkow
DESCRIPTION:A Summer in the Cage (2007) is a stunning portrait of a battle with manic-depressive (bipolar) disorder that puts a human face on an illness that affects millions of American families. As this dramatic story unfolds\, it also becomes a unique tale about friendship and the ethical responsibilities of a documentary filmmaker. The intent was to make a film about successfully living with\, and managing\, a mental illness- but when the Hollywood ending proves too elusive\, the filmmaker and the subject are forced to ask themselves\, “When do you turn off the camera?”  \n\n\n\nThis event is co-sponsored by The Independent Living Center of the Hudson Valley. \n\n\n\nPress Release:\n\n\n\n“A Summer in the Cage” follows Selkow’s friend Sam for seven years ashe suffers delusional manic episodes\, battles paralyzing depressions\,and tries to escape the legacy of his father. By showing the difficultemotional impact of being bipolar on Sam\, his family\, and thefilmmaker\, “A Summer in the Cage” hopes to put a human face on anillness that affects millions of American families. But as thisdramatic story unfolds\, it also becomes a unique tale about friendshipand the ethical responsibilities of a documentary filmmaker. Theintent was to make a film about successfully living with\, andmanaging\, a mental illness. When the “Hollywood ending” proved tooelusive\, the filmmaker and the subject are forced to ask themselves\,“When do you turn off the camera?” \n\n\n\n“I saw this film earlier this year at a film festival\,” says Sanctuaryprogrammer Penny Lane\, “and I had never seen anything like it. Thevideo diaries made by Sam during his manias are some of the most rawand powerful images I have ever encountered.” Lane was compelled tobring the film and its maker to her community after witnessing thedialogue the film provoked in the audience. \n\n\n\n“Quite frankly\, one of the most powerful documentaries I have seen\,”says author Peter Earley (CRAZY: A Father’s Search Through America’sMental Health Madness)\, “I do not know of any other filmmaker who hascaptured the frantic highs of mania\, the devastation of depression androller coaster of ordinary life that a person with a diagnosis ofbipolar disorder experiences.” \n\n\n\nDr. Kay Redfield Jamison\, well known professor\, author and psychiatrist\, highly recommended the film\, calling it “powerful\, affecting and honest.” \n\n\n\nBen Selkow is the director/producer/director of photography/writer of “A Summer in the Cage\,” which premiered on the Sundance Channel in October 2007 and is being distributed for home video by Indiepix. The film was nominated for a 2008 Prism Bipolar Disorder Depiction Award.In 2003\, Ben was a participant in the annual Sundance Producer’sConference at the Sundance Institute in Utah.
URL:https://www.mediasanctuary.org/event/a-summer-in-the-cage-with-filmmaker-ben-selkow/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Panel Discussion,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20081105T180000
DTEND;TZID=America/New_York:20081105T200000
DTSTAMP:20230705T153158Z
CREATED:20081105T155700Z
LAST-MODIFIED:20230705T153158Z
UID:10000853-1225908000-1225915200@www.mediasanctuary.org
SUMMARY:Filmmaker Matt McCormick
DESCRIPTION:A renowned artist and filmmaker whose success spans both the art and independent film worlds\, Matt is touring New York State with classic works like The Problem with Machines that Communicate and Light Tiger Eye as well as brand-spanking-new music videos\, absurdist narratives\, and random miscellaneous tidbits and surprises. Matt is also the founder of Peripheral Produce\, an internationally recognized video distribution label specializing in short experimental work\, and the director of the Portland Documentary and eXperimental Film Festival\, Portland’s premiere event for experimental\, documentary\, and otherwise obscure contemporary cinema. \n\n\n\nThis event is made possible by the Experimental Television Center’s Presentation Funds. The Experimental Television Center’s Presentation Funds program is supported by the New York State Council on the Arts. \n\n\n\nMore About Matt\n\n\n\nMatt McCormick is an artist\, filmmaker\, photographer\, and musician who has produced several well-received projects in recent years. His films defy genre distinctions and fashion witty\, abstract observations of contemporary culture and the urban landscape. His project Future So Bright maps and catalogs the abandoned spaces in the American West\, while American Nutria examines the plight of an imported species while chastising capitalism’s tendency to create its own disasters. The Subconscious Art of Graffiti Removal makes the observation that the process of destroying one art form unwittingly creates another\, while his installation piece Ride a Wave To Tomorrow’s Sunset reflects on society’s need for ‘synthetic meditation’. \n\n\n\nMatt’s work has been exhibited in film festivals\, art museums\, and microcinemas around the globe\, appeared on MTV and the Sundance Channel\, and received positive reviews from Art Forum\, The New York Times\, and Film Comment magazine. Matt has worked and collaborated with many artists and musicians\, including The Shins\, Miranda July\, Sleater-Kinney\, The Postal Service\, YACHT\, Patton Oswalt\, and Calvin Johnson. Matt has had three films screen at the Sundance Film Festival\, and been included in the traveling group exhibitions “Uncertain States of America” and “Baja to Vancouver.” He has received awards including Best Short Film from the San Francisco International Film Fest\, Best Experimental from the New York Underground Film Fest\, and Best Short from the Ann Arbor Film Fest\, and his film The Subconscious Art of Graffiti Removal was named in ‘Top 10 / Best of 2002’ lists in both The Village Voice and Art Forum magazine. Matt also won a 2007 Rosey Award for a series of global warming public service announcements he directed for MTV.
URL:https://www.mediasanctuary.org/event/filmmaker-matt-mccormick/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Panel Discussion,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20081108T180000
DTEND;TZID=America/New_York:20081108T203000
DTSTAMP:20230705T153508Z
CREATED:20081108T160400Z
LAST-MODIFIED:20230705T153508Z
UID:10000854-1226167200-1226176200@www.mediasanctuary.org
SUMMARY:A Night Out with "The Narcotic Farm"
DESCRIPTION:The U.S. Narcotic Farm just outside Lexington\, KY\, was a legendary meeting place for America’s drug addicts. This performance interweaves verbal\, visual\, and musical memories of a place that was a crossroads for drug addicts from 1935-1975. Authors Nancy Campbell and JP Olsen will read and screen portions of their works on this historic place\, mixed with jazz from musicians incarcerated at Narcotic Farm. \n\n\n\nThe list of Lexington Narcotic Farm musician alums reads like a who’s who of jazz: Chet Baker\, Tadd Dameron\, Joe Guy (Billie Holliday’s husband—she wasn’t at the farm but rather at Alderson\, the women’s prison in WV)\, Elvin Jones\, Stan Levey\, Jackie McLean\, Red Rodney (Charlie Parker’s sideman)\, Sonny Stitt\, Sonny Rollins. And there’s an interesting connection to MC5 (Wayne Kramer is the narrator of the film and part of the seminal pre-punk band\,); he spent time at Lexington in the 1970s). \n\n\n\nYou might find this month’s Jazz Times interesting; it has a photo feature on The Narcotic Farm. They also excerpted the chapter\, “The Greatest Band You Never Heard.” \n\n\n\nThere was a story about the project on NPR called “Americas First Drug-Treatment Prison Revisited” this weekend. \n\n\n\nPress Release\n\n\n\nThe author and the filmmaker of a new book and a video documentary airing on PBS called “The Narcotic Farm: The Rise and Fall of America’s First Prison for Drug Addicts” are presenting a multi-media performance/premiere with live jazz music at The Sanctuary for Independent Media on Saturday\, November 8\, 2008 at 7 PM. Admission is by donation ($10 suggested\, $5 student/low income). The Sanctuary for Independent Media is located at 3361 6th Avenue in north Troy (at 101st Street). Call (518) 272-2390\, email info@MediaSanctuary.org\, or visit www.MediaSanctuary.org for directions and more information. \n\n\n\nThe U.S. Narcotic Farm just outside Lexington\, KY\, was a legendary meeting place for America’s drug addicts. This performance interweaves verbal\, visual\, and musical memories of a place that was a crossroads for drug addicts from 1935-1975. Author Nancy Campbell and filmmaker JP Olsen will read and screen portions of their works on this historic place\, mixed with jazz from musicians incarcerated at Narcotic Farm–performed by a live band! \n\n\n\nA federal prison in Kentucky was a temporary home for thousands\, including Sonny Rollins\, Peter Lorre and William S. Burroughs as well as a lab for addiction treatments such as LSD. \n\n\n\nFrom 1935 to 1975\, just about everyone busted for drugs in the U.S. was sent to the United States Narcotic Farm outside Lexington\, Ky. Equal parts federal prison\, treatment center\, research laboratory and farm\, this controversial institution was designed not only to rehabilitate addicts\, but to discover a cure for drug addiction. \n\n\n\nNow a new documentary\, “The Narcotic Farm\,” reveals the lost world of this institution\, based on rare film footage\, numerous documents\, dozens of interviews of former staff\, inmates and volunteer patients\, and more than 2\,000 photographs unearthed from archives across the country. The film will appear on public television stations across the country throughout November. A book accompanying the documentary includes rare and previously unpublished pictures of “Narco\,” as the institution was called locally. \n\n\n\nAccording to the book\, the institution became a premier center for research into drug addiction and treatment\, advancing everything from the use of methadone to treat heroin withdrawal to drugs that blocked the action of opiates. Along the way\, Narco was frequented by legendary jazz musicians such as Chet Baker and Sonny Rollins\, as well as actor Peter Lorre and beat generation writer William S. Burroughs\, who recounted his experience in his first novel\, “Junkie.” \n\n\n\nThe documentary also chronicles how the Farm was shut down when Congress discovered that researchers there were using patients as human guinea pigs in CIA-funded experiments into LSD. Drug research on federal prisoners is now illegal. \n\n\n\nStill\, the filmmakers note accomplishments at the institution remain milestones in addiction science and treatment. Its most important contribution might be how it transformed the way society views addicts—”as people suffering from a chronic\, relapsing disorder that affects public health\,” says book co-author Nancy Campbell. \n\n\n\nNancy D. Campbell is an associate professor in the Department of Science and technology Studies at Rensselaer Polytechnic Institute who studies the history of drug addiction research. She lives in Troy NY. \n\n\n\nJP Olsen is a filmmaker whose work has appeared on The Discovery Channel and many other stations. He lives in New York City. \n\n\n\nThe Sanctuary for Independent Media is a community media arts and production center located in an historic former church in Troy\, NY. The venue is an intimate and acoustically excellent space which seats about 150. The Sanctuary hosts screening\, production and performance facilities\, training in media production and a meeting space for artists\, activists and independent media makers of all kinds.
URL:https://www.mediasanctuary.org/event/a-night-out-with-the-narcotic-farm/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Jazz Music,Panel Discussion,Performance,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20081113T180000
DTEND;TZID=America/New_York:20081113T210000
DTSTAMP:20230705T153953Z
CREATED:20081113T160900Z
LAST-MODIFIED:20230705T153953Z
UID:10000855-1226599200-1226610000@www.mediasanctuary.org
SUMMARY:Abel Raises Cain with Media Prankster Alan Abel
DESCRIPTION:A roller coaster ride through the myriad of elaborate hoaxes and schemes pulled off over the years by the infamous underground media prankster\, provocateur and trickster par excellence Alan Abel\, offering and unprecedented glimpse into a life and bizarre career designed to provoke and amuse – while at the same time making people question everything that they see\, hear and read. Alan will be on hand to discuss the film.  \n\n\n\nThis event is made possible by the Experimental Television Center’s Presentation Funds. The Experimental Television Center’s Presentation Funds program is supported by the New York State Council on the Arts. \n\n\n\nAbel Raises Cain (trailer) is an unprecedented glimpse into the bizarre career of Alan Abel\, the infamous media hoaxer. Like a reverse Jon Stewart\, Abel has been producing fake news for the masses for over 50 years. He has made a name for himself several times over with stunts that are just ridiculous enough to be believed\, especially to a media that feeds on salacious\, lurid and wacky stories. \n\n\n\nAbel’s hoaxing career began in the late 1950s with S.I.N.A.\, the Society for Indecency to Naked Animals. This tongue-in-cheek moral crusade\, whose purpose was to clothe all animals for modesty’s sake\, was actually a commentary on censorship. After launching the campaign\, however\, Alan soon found himself in the midst of a national craze. Newspaper\, radio and television reporters couldn’t seem to get the story fast enough. Abel realized that\, with very little funds and very few props\, with a straight face\, he could convince America\, and the media\, that an absurd idea like S.I.N.A. truly existed. \n\n\n\nOver the years\, Alan continued masterminding scores of other allegorical satires and outlandish stunts\, all with the purpose to amuse and provoke. Ultimately\, with his hoaxes\, Alan’s goal has always been to give people\, what he calls “a kick in the intellect.” Abel continues to taunt the media and the masses with his nutty ideas\, imaginary organizations and seemingly nonsensical campaigns. In 2000\, Life Magazine recognized Alan as a cultural icon during the 20th century in their volume edition\, Century of Change. \n\n\n\nIn this loving documentary portrait of an eccentric father\, Alan’s daughter\, Jenny\, tells her firsthand account of what it was like growing up with a prankster dad. Abel Raises Cain takes the audience on a roller coaster ride through the myriad of elaborate hoaxes and schemes that Abel pulled off over the years\, all of which were designed to provoke and amuse… while at the same time\, make people question everything that they see\, hear and read. \n\n\n\nThe UTNE Reader praised the film for showing us that “long before the Yes Men satirized Exxon and Halliburton\, and before Ashton Kutcher was born\, Alan Abel was the undisputed king of media hoaxers.” Reviewers at slate.com called Abel Raises Cain “an invigorating and often hysterical look at a gifted comic and the nation of dupes he continues to use as his medium.” Abel Raises Cain has won numerous awards\, including Best Documentary (Slamdance\, Newport)\, Top Ten Audience Favorites (Hot Docs)\, and Best Feature (Brooklyn Underground).
URL:https://www.mediasanctuary.org/event/abel-raises-cain-with-media-prankster-alan-abel/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Panel Discussion,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20081114T180000
DTEND;TZID=America/New_York:20081114T200000
DTSTAMP:20230705T154534Z
CREATED:20081114T161600Z
LAST-MODIFIED:20230705T154534Z
UID:10000856-1226685600-1226692800@www.mediasanctuary.org
SUMMARY:"Phantom of the Opera" with Alloy Orchestra
DESCRIPTION:An unusual combination of found percussion and state-of-the-art electronics gives the Alloy Orchestra the ability to create any sound imaginable as they perform live accompaniment to classic silent films. Working with an outrageous assemblage of peculiar objects\, they thrash and grind soulful music from unlikely sources. They’ll be performing the soundtrack to Rupert Jillian’s 1925 classic Phantom of the Opera\, one of the scariest and most influential horror films of all time- featuring Lon Chaney as the mysterious Phantom.  \n\n\n\nLocal presentation of the Alloy Orchestra and “Phantom of the Opera” is made possible by the support from New York State Council on the Arts and the Central New York Programmers Group. \n\n\n\nPress Release\n\n\n\nThe Alloy Orchestra is a three-man musical ensemble\, writing and performing live accompaniment to classic silent films. Working with an outrageous assemblage of peculiar objects\, they thrash and grind soulful music from unlikely sources. The members are TERRY DONAHUE (junk\, accordion\, musical saw\, vocals)\, KEN WINOKUR (director\, junk percussion and clarinet) and ROGER MILLER (keyboards). \n\n\n\nAccording to Chicago Sun-Times film critic Roger Ebert\, Alloy Orchestra is “the best in the world at accompanying silent films.” \n\n\n\n“Phantom of the Opera” is a 1925 silent film directed by Rupert Julian adaptation of the Gaston Leroux novel of the same title. The film featured Lon Chaney in the title role as the masked and facially deformed Phantom who haunts the Paris Opera House\, causing murder and mayhem in an attempt to force the management to make the woman he loves a star. It is most famous for Lon Chaney’s intentionally horrific\, self-applied make-up\, which was kept a studio secret until the film’s premiere. \n\n\n\nThe film also features Mary Philbin\, Norman Kerry\, Arthur Edmund Carewe\, Gibson Gowland\, John St. Polis and Snitz Edwards. \n\n\n\nNow in its 18th year\, the Alloy Orchestra began its aural onslaught with an original score for “Metropolis” in 1991. In the intervening years\, the group has written scores for 28 feature length film presentations\, typically premiering their new scores at the Telluride Film Festival in Colorado. \n\n\n\nPerforming at prestigious film festivals and cultural centers in the U.S. and abroad The Louvre\, Lincoln Center\, The Academy of Motion Pictures\, the National Gallery of Art and others)\, Alloy has helped revive some of the great masterpieces of the silent era. \n\n\n\nAn unusual combination of found percussion and state-of-the-art electronics gives the Orchestra the ability to create any sound imaginable. Utilizing their famous “rack of junk” and electronic synthesizers\, the group generates beautiful music in a spectacular variety of styles. They can conjure up a French symphony or a simple German bar band of the 20’s. The group can make the audience think it is being attacked by tigers\, contacted by radio signals from Mars or swept up in the Russian Revolution. \n\n\n\nAlloy collaborates with some of the world’s best archives and collectors (such as the George Eastman House\, the British Film Institute\, Paramount pictures\, Film Preservation Associates and the Douris Corporation) to present audiences with the very best available prints of some of history’s greatest film. \n\n\n\nThe gorgeous new print of “Phantom of the Opera\,” recently restored by Alloy’s sister company\, Box 5\, reproduces the extremely intricate color scheme of the original release with elaborate tinting\, the experimental 2 strip Technicolor sequence at the masked ball\, and luscious hand tinting. Combined with Alloy’s new score\, this astounding film is as creepy today as it was 75 years ago.
URL:https://www.mediasanctuary.org/event/phantom-of-the-opera-with-alloy-orchestra/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Performance,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20081206T180000
DTEND;TZID=America/New_York:20081206T200000
DTSTAMP:20230705T161324Z
CREATED:20081206T162800Z
LAST-MODIFIED:20230705T161324Z
UID:10000861-1228586400-1228593600@www.mediasanctuary.org
SUMMARY:"I Need That Record" with Filmmaker Brendan Toller
DESCRIPTION:I Need that Record (2008)  is a documentary feature examining why more than 3\,000 independent record stores have closed across the U.S. in the past decade. Greedy record labels\, media consolidation\, homogenized radio\, big box stores\, e-commerce\, shoddy “stars” pushed by big money\, and the digital revolution all pose threats to the very well-being of our favorite record stores. Will these stores die? Will they survive? The filmmaker will lead a discussion following the screening. \n\n\n\nToller\, who researched the film for two years and traveled all over the U.S. talking to record store owners\, musicians and music lovers\, comments that “[r]ecord stores serve as important community spaces providing foundations for new musical and artistic scenes and movements\,” noting also the role of record stores as seedbeds for independent thought and meeting places for people of all kinds. I Need That Record! is a compelling tribute to this endangered phenomenon. \n\n\n\nI Need That Record! features interviews with Thurston Moore (Sonic Youth)\, Ian Mackaye (Dischord Records Fugazi/Minor Threat). activist/author Noam Chomsky\, Mike Watt (The Minutemen)\, Lenny Kaye (the Patti Smith Group)\, Chris Frantz (Talking Heads/Tom Tom Club)\, guitar composer Glenn Branca\, Patterson Hood (Drive-By Truckers)\, Pat Carney (Black Keys)\, punk author Legs McNeil\, rock photographer Bob Gruen\, BP Helium (Of Montreal)\, and the owners and employees of record stores in NYC\, Boston\, DC\, Cleveland\, Detroit\, Ann Arbor\, Chicago\, Minneapolis\, Memphis\, Nashville\, and Los Angeles. \n\n\n\nGreedy record labels\, media consolidation\, homogenized radio\, big box stores\, e-commerce\, shoddy “stars” pushed by big money\, and the digital revolution are all real challenges to independent record stores. I Need That Record! asks: Will these stores die? Will they survive? \n\n\n\nThe film has attracted buzz on Pitchfork\, The Onion A/V Club\, PunkNews\, Wiretap Magazine\, Brooklyn Vegan\, The Stranger and more.
URL:https://www.mediasanctuary.org/event/i-need-that-record-with-filmmaker-brendan-toller/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Panel Discussion,Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201211T190000
DTEND;TZID=America/New_York:20201211T210000
DTSTAMP:20210419T031310Z
CREATED:20210419T031309Z
LAST-MODIFIED:20210419T031310Z
UID:10001205-1607713200-1607720400@www.mediasanctuary.org
SUMMARY:Water Justice: Echoes from Lock One
DESCRIPTION:Register for either/both days of this event here! \n\n\n\nWater Justice Lab in North Troy\, NY hosts “confluence” virtual gatherings with youth environmental justice advocates throughout communities in the Hudson River Watershed. \n\n\n\nThe opening evening features a land acknowledgement of the Stockbridge Munsee Community by Heather Bruegl\, before the premiere of the water justice documentary “Echoes from Lock One\,” a participatory youth production.  \n\n\n\nThe screening is followed by followed by an open dialogue\, “What is Water and Environmental Justice?\,” facilitated by environmental justice mentors  Heather Bruegl and youth educator Meghan Marohn\, with participating youth groups\, Water Justice Lab (Troy\, NY)\, Kingston YMCA Farm Project (Kingston\, NY) and Groundwork Hudson Valley (Yonkers\, NY).  The evening will end with a collective performance of “Stay Woke” with Jayohcee\, and a special visit from hip hop artist Xiuhtezcatl!  \n\n\n\n\n\n\n\n\n\nEchoes From Lock One – Trailer from Catherine Rafferty on Vimeo. \n\n\n\nAbout Echoes from Lock One \n\n\n\nNorth Troy teens spent five weeks with Media Sanctuary creating a multimedia documentary on water justice and the legacy of the Erie Canal in one of NY’s most economically challenged and environmentally devastated neighborhoods. \n\n\n\nEnvironmental Justice Mentor \n\n\n\nHeather Bruegl is the Director of Cultural Affairs for the Stockbridge Munsee Community. The mission of the Cultural Affairs Department is to protect\, preserve and tell the history of the Stockbridge Munsee Band of the Mohican Indians. We do this through the archives at the Arvid E. Miller Memorial Library and Museum\, protection of our ancestral lands through Historic Preservation\, and revitalization of our Language. She is a member of the Oneida Nation of Wisconsin\, is a graduate of Madonna University in Michigan and holds a Bachelor of Arts and Master of Arts in U.S. History. Inspired by a trip to Wounded Knee\, South Dakota\, a passion for Native American History was born. She has spoken for numerous groups including the University of Michigan\, College of the Menominee Nation\, Shawano County Historical Society\, the Kenosha Civil War Museum\, Stockbridge-Munsee Band of the Mohicans\, and the Oneida Nation of Wisconsin. She has spoken at the University of Wisconsin-Oshkosh for Indigenous Peoples Day 2017. Heather also opened up and spoke at the Women’s March Anniversary in Lansing\, Michigan in January 2018. She also spoke at the first ever Indigenous Peoples March in Washington\, DC in January of 2019. Summer 2019\, she spoke at the Crazy Horse Memorial and Museum in Custer\, South Dakota for their Talking Circle Series. She has also become the ‘’accidental activist’’ and speaks to different groups about intergenerational racism and trauma and helps to bring awareness to our environment\, the fight for clean water and other issues in the Native community. A curiosity of her own heritage lead her to Wisconsin\, where she has researched the history of the Native American tribes in the area. In addition to that she also currently travels and speaks on Native American history\, including policy and activism.\n\n\n\nHip Hop Artists \n\n\n\nXiuhtezcatl!  Martinez\, Earth Guardians Youth Director Xiuhtezcatl Martinez\, (his first name pronounced ‘Shoe-Tez-Caht’) recently turned 18. He’s an indigenous climate activist\, hip-hop artist\, and powerful voice on the front lines of a global youth-led environmental movement.\n\n\n\nRecently named TIMES Next 100\, Xiuhtezcatl has felt called to change the narrative on what it means to be an activist since an early age. Still a teenager\, X has spoken multiple times a the UN\, addressing the General Assembly and spoken on panels with the likes of Bernie Sanders\, Van Jones\, Shailene Woodley\, Bill Mckibbens and Pharrell Williams. \n\n\n\nXiuhtezcatl has a unique talent for connecting people through popular culture and sharing the message of his indigenous roots to better serve the planet and reimagine the future for his generation. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJayohcee\, also known as Corey Jocko is an hip hop artist\, activist\, and a First Nations Mohawk Warrior. Jayohcee is featured in Echoes from Lock One teaching youth how to write and perform a song through hip hop “for their multimedia documentary and performing his Standing Rock song\, “Stay Woke.\n\n\n\nPARTICIPATING YOUTH GROUPS \n\n\n\nWater Justice Lab\n\n\n\nThe Water Justice Lab fellows are taking a leadership role organizing and leading the Water Justice Confluence. This youth science mentorship program is a project of Media Sanctuary’s NATURE (North Troy Art Technology and Urban Research in Ecology) Lab Environmental Education Center and Riverkeeper. The project will establish a water quality sampling lab\, educate diverse communities about water literacy and water civics (water issues and how to make a difference)\, develop the advocacy capacity of the North Troy area\, and strengthen a network of environmental justice advocates focused on water issues in the Hudson River Watershed. \n\n\n\n\n\n\n\n\n\nThe Kingston YMCA Farm Project\n\n\n\nThe Kingston YMCA Farm Project’s mission is to educate\, nourish and connect the Kingston community with our urban farm. Our vision is to use the farm as a way to engage young people in the magical and empowering process that is food production. Children and youth are involved in all aspects of food production and farm care: seeding\, transplanting\, watering\, weeding\, harvesting\, and ultimately preparing and eating. We have farm stands on Tuesdays and Wednesdays\, where we make our produce as accessible as possible to our community. Participants learn how to turn the vegetables they grow into healthy snacks and dishes. \n\n\n\nWe are committed to racial and economic justice and we are working to create a more equitable food system for all. As we do this\, we find different ways for our youth to make change in our community. We have recently started having a Book Club this summer. Since then\, we have read Stamped the Remix by Jason Reynolds and Ibram X. Kendi; as well as How to be an Anti-racist by Ibram X. Kendi. The crew has also done things such as sent letters to elected officials\, installed a Say Their Names memorial\, painted two utility boxes with antiracist messages\, initiated a county-wide Sojourner Truth Day\, and more. \n\n\n\nThe Kingston YMCA Summer Youth Crew wrote and created a video called Truth Talk.  Truth Talk focuses on what they learned about our history and how to be an anti-racist agent of change. \n\n\n\n\n\n\n\n\n\nGroundwork Hudson Valley creates sustainable environmental change in urban neighborhoods through community-based partnerships that promote equity\, youth leadership\, and economic opportunity. \n\n\n\nThe Green Team program hires local teenagers enrolled in the Yonkers Public School system for environmental jobs – for many\, their first real job. The program focuses on leadership\, group dynamics\, and a variety of conservation and construction skills. This hard work is tempered with amazing adventures\, like hiking\, camping\, and swimming. \n\n\n\n\nhttps://youtu.be/fxNvLj9u5Qw\n\n\n\n\nMORE ABOUT WATER JUSTICE LAB \n\n\n\nOrganized and hosted by Water Justice Lab\, a new project of Media Sanctuary’s NATURE (North Troy Art Technology and Urban Research in Ecology) Lab Environmental Education Center and Riverkeeper. The project will establish a water quality sampling lab\, educate diverse communities about water literacy and water civics (water issues and how to make a difference)\, develop the advocacy capacity of the North Troy area\, and strengthen a network of environmental justice advocates focused on water issues in the Hudson River Watershed.
URL:https://www.mediasanctuary.org/event/water-justice-echoes-from-lock-one/
CATEGORIES:Performance,Screening
LOCATION:https://www.mediasanctuary.org/event/water-justice-echoes-from-lock-one/
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210421T190000
DTEND;TZID=America/New_York:20210421T203000
DTSTAMP:20230213T195954Z
CREATED:20210417T180545Z
LAST-MODIFIED:20230213T195954Z
UID:10001191-1619031600-1619037000@www.mediasanctuary.org
SUMMARY:Local Voices / Local Media: The Struggle for Clean Air in the Hudson Mohawk Region
DESCRIPTION:You will receive links to the videos prior to the panel\, and then can join in for a conversation with the media makers and local activists. \n\n\n\nIn the Shadows of Norlite\, photo by Catherine Rafferty\n\n\n\nOn Earth Day\, we celebrate our local voices in their eloquent calls for environmental justice and clean air in the Hudson Mohawk region. We focus on local media makers who are creating media as an organizing tool\, whose work shines light on the power of personal voice. \n\n\n\nOur “mini-media festival” features a conversation with local Capital Region media makers Sonja Stark with “Albany Alert\,” Dave Publow with “We Care About Our Kids: Voices of the Victims of Norlite\,” and Catherine Rafferty with “In the Shadow of Norlite\,” along with the powerful voices featured in their films\, Joe Ritchie\, Judith Enck and Barbara Heinzen. \n\n\n\nOur featured local media makers focus their lenses on two grassroots environmental action groups: Lights Out Norlite\, who are raising awareness about the Norlite toxic waste incinerator located in Cohoes\, and Clean Air Coalition Of Greater Ravena-Coeymans\, who are addressing waste incineration and tire burning at the Lafarge/Holcim Ravena cement plant located next to the Ravena Coeymans Selkirk middle and high schools in Coeymans. \n\n\n\nSponsored by iEAR Presents! and the School of Humanities\, Arts and Social Sciences at Rensselaer\, made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. \n\n\n\n\nRegister Here\n\n\n\n\n\nEVENT SCHEDULE\n\n\n\n7:00-7:10 Opening Welcome/ Thanks & Acknowledgements \n\n\n\n7:10-7:40  Panel 1 Media as an Organizing Tool \n\n\n\n\n7:10 Sonya Stark\n\n\n\n7:20 Dave Publow\n\n\n\n7:30 “In the Shadows of Norlite\,” photojournalism essay by Catherine Rafferty\n\n\n\n\n7:40- 8:10  Panel 2  Power of the Personal Voice \n\n\n\nDiscussion with subjects of the films: Joe Ritchie\, Barbara Heinzen\, Judith Enck \n\n\n\n8:10 Final conversation/ Moving into action! \n\n\n\n8:30pm  End \n\n\n\n\nMEDIA MAKERS\n\n\n\n\n\n\n\nSonja  Stark \n\n\n\nSonja Stark began her freelance DP career in 2005.  Prior to that she was employed as an Emmy award-winning news videographer for the local CBS news affiliate WRGB for over a decade.   She has honed her craft shooting and editing footage in over 72 countries for documentaries about history\, environment\, music and social causes as well as episodic programming about travel for broadcast on cable channels and PBS.  She calls her one-woman business PilotGirl Productions. \n\n\n\n\n\n\n\n\n\n\n\nDave Publow \n\n\n\nDave Publow is an environmental activist\, radio journalist\, printmaker\, and videographer. He is also a resident of Troy\, NY\, one of the many communities directly affected by the Norlite hazardous waste incinerator. His focus is to use the tools at his disposal to spread awareness of environmental injustice\, and to help galvanize the community to find the powers within themselves to meet the challenge. \n\n\n\n\n\n\n\n\n\n\n\nCatherine Rafferty \n\n\n\nCatherine Rafferty is a freelance photojournalist and documentary filmmaker from upstate New York whose work explores intimate\, complex themes with concern for social justice. She recently worked in Phoenix\, AZ at The Arizona Republic\, part of the USA Today network\, as a Pulliam Fellow covering the COVID-19 pandemic and calls for racial justice. She’s previously interned at the Times Union in Albany\, NY and The Sanctuary\, where she documented Uptown Summer in the Roots for Resilience solo exhibition. She graduated with a BFA in photojournalism from Rochester Institute of Technology in 2020. Rafferty produces the “Birth Justice” podcast on WOOC 105.3 FM and is currently media mentor to the Water Justice Lab Fellows at The Sanctuary. She’s excited to continue working with the fellows to tell the story of their community and its relationship to the river. \n\n\n\nFEATURING\n\n\n\n\n\n\n\nJoseph Ritchie is an environmental justice advocate and the Executive Director of Saratoga Sites Against Norlite Emissions. He is a student at Syracuse University studying Environmental Policy. Joe grew up in the shadows of Norlite. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nEnvironmental Policy Expert Judith Enck founded Beyond Plastics in 2019 to end plastic pollution through education\, advocacy\, and institutional change. Passionate about protecting public health and the environment\, she teaches classes on plastic pollution as a Senior Fellow and visiting faculty member at Bennington College\, and was recently a Visiting Scholar at the Elisabeth Haub School of Law at Pace University. \n\n\n\nJudith has held top influential positions in state and federal government. Appointed by President Obama\, she served as the Regional Administrator of the Environmental Protection Agency\, overseeing environmental protections in NY\, NJ\, eight Indian Nations\, Puerto Rico and the US Virgin Islands – in addition to managing a staff of 800 and a $700M budget. Previously\, Judith served as Deputy Secretary for the Environment in the New York Governor’s Office\, and Policy Advisor to the New York State Attorney General. She was Senior Environmental Associate with the New York Public Interest Research Group\, served as Executive Director for Environmental Advocates of New York and the Non-Profit Resource Center\, and is a past President of Hudson River Sloop Clearwater. Judith appears on a weekly public affairs radio show on a local NPR affiliate\, the Roundtable on WAMC in Albany\, NY. \n\n\n\n\n\n\n\n\n\n\n\nBarbara Heinzen is a long-term strategist and scenario planner with a successful 35-year practice working with companies and civil society\, usually in non-Western countries in Africa\, Asia and Latin America.  Recent assignments have been with two multi-stakeholder projects concerning the future of energy: one in East Africa and the other in Pennsylvania\, USA.  In 2011\, Barbara Heinzen returned to the USA from central London\, UK after buying 20 acres of land along the Hudson River in upstate New York.  This property is part of the Barbets Duet partnership. Individuals in East Africa\, England and the USA are working with their own land and communities to learn how to manage land for environmental benefit while improving local livelihoods. \n\n\n\n\n\n\n\n \n\n\n\n\nRegister Here
URL:https://www.mediasanctuary.org/event/local-voices-local-media-the-struggle-for-clean-air-in-the-hudson-mohawk-region/
CATEGORIES:Panel Discussion,Screening
ATTACH;FMTTYPE=image/jpeg:https://www.mediasanctuary.org/wp-content/uploads/2021/04/In-the-Shadows-of-Norlite_Catherine-Rafferty-scaled-1.jpg
LOCATION:https://www.mediasanctuary.org/event/local-voices-local-media-the-struggle-for-clean-air-in-the-hudson-mohawk-region/
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