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DTSTART;TZID=America/New_York:20081010T190000
DTEND;TZID=America/New_York:20081010T210000
DTSTAMP:20230626T165311Z
CREATED:20081010T141500Z
LAST-MODIFIED:20230626T165311Z
UID:10001021-1223665200-1223672400@www.mediasanctuary.org
SUMMARY:"Disaster and Resistance: Comics and Landscapes for the 21st Century"
DESCRIPTION:A live multimedia presentation of the work in Seth Tobacman’s new book Disaster and Resistance: Comics and Landscapes for the 21st Century (2008)\, just published by AK Press. The presentation/performance features Seth\, drummer Eric Blitz and guitarist Steve Wishnia. In his bold comic style\, the longtime artist\, activist\, and educator skewers the individuals and institutions wreaking havoc across the globe today\, musing not on the chaos of instability and fear but on the struggle against it.  \n\n\n\nCo-sponsored by Women Against War. \n\n\n\nPress Release:\n\n\n\nAccording to former New York Times art director Jerelle Kraus\, “I repeatedly tried to get more of Tobocman’s work onto our pages\, but it was deemed too radical. Tobocman won’t compromise his principles for money or fashion.” \n\n\n\nIn his new book\, he outlines pressing social and political struggles at the dawn of the twenty-first century\, from post 9-11 New York City to Israel and Palestine\, to Iraq and New Orleans. Fans of his classic works\, “You Don’t Have to Fuck People Over to Survive” and “War in the Neighborhood\,” will see that his punch has not softened\, and his work continues to skewer the individuals and institutions wreaking havoc across the globe today. In his bold comic style\, Seth chronicles events as they happen\, musing not on the chaos of instability and fear but on the struggle against it. Seth will sign books after the show\, which is about an hour long. \n\n\n\nHere’s what others have to say: \n\n\n\n“For years now Seth Tobocman has been taking on the powers that be for all of us. He’s not slowing down either.” -Harvey Pekar\, groundbreaking graphic novelist and author of the American Splendor series \n\n\n\n“A graphic revelation\, an artistic and political document of enormous value in our troubled world.” -Paul Buhle\, esteemed historian of American radicalism \n\n\n\n“Once again Seth Tobocman stares straight into the eye of the storm and casts light on the darkness. His complete command of visual storytelling is perfectly matched by his unwavering ability to dissect and explain the most complex and urgent topics of the day. He brings us a behind-the-scenes view from the frontlines\, with heart and clarity\, and turns static headlines into flesh and blood realities. When people look back on our history\, Seth Tobocman’s inspiring comics will provide more insight into this era than a thousand newscasts.” -Peter Kuper\, author of “Speechless” \n\n\n\nSeth Tobocman is one of the founding editors of World War 3 Illustrated\, author/illustrator of three collections\, an educator\,and has shown his work in streets and galleries across the globe—including Exit Art\, The Museum of Modern Art\, and the New Museum of Contemporary Art.
URL:https://www.mediasanctuary.org/event/disaster-and-resistance-comics-and-landscapes-for-the-21st-century/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Panel Discussion,Performance,Rock Music
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DTSTART;TZID=America/New_York:20080920T200000
DTEND;TZID=America/New_York:20080920T220000
DTSTAMP:20230626T161108Z
CREATED:20080920T161000Z
LAST-MODIFIED:20230626T161108Z
UID:10001014-1221940800-1221948000@www.mediasanctuary.org
SUMMARY:Free Jazz from the Sanctuary presents Empty Cage Quartet and Weasel Walter Trio
DESCRIPTION:One of the most powerful and original jazz groups to emerge from the West Coast\, Empty Cage explores imaginative new ways to integrate a diverse mix of musical influences ranging from shuffle swing to free jazz blowouts\, minimalist percussion loops to complex modernist gestures\, robotic grooves\, odd-meter marches\, heavy rock\, and nearly everything in between.  \n\n\n\n \n\n\n\nLocal presentation of the Empty Cage Quartet and the Weasel Walter Trio is co-sponsored by the Arts Department at RPI and Albany Sonic Arts Collective\, made possible by volunteer labor\, small financial contributions from hundreds of patrons of The Sanctuary For Independent Media and support from the New York State Music Fund. \n\n\n\n\nhttps://www.youtube.com/watch?v=fEqUQrCe0k4\n\n\n\n\nThe Empty Cage Quartet has consistently been praised as one of the most powerful and original new jazz groups to emerge from the American West Coast. For nearly six years the group has explored imaginative new ways to integrate a diverse mix of musical influences ranging from shuffle swing to free jazz blowouts\, minimalist percussion loops to complex modernist gestures\, robotic grooves\, odd-meter marches\, heavy rock\, and nearly everything in between. Performances of this music involve an elaborate system of on-stage cues to navigate the flow of improvisation in\, around\, and out of modular compositional structures designed to cycle\, overlap\, combine and recombine. The result is a continually evolving\, multidimensional approach to jazz and new music performance\, improvisational acuity\, and compositional craft that Amazing Sounds Magazine has likened to an “urban folk music of the future.” \n\n\n\nThe Empty Cage Quartet has toured extensively in the Western United States and in Canada and Europe\, and they have received support from the American Composers Forum\, the International Society for Improvised Music (ISIM)\, and Chamber Music America’s French-American Jazz Exchange. To date they have released six CD recordings that have been featured on jazz radio stations around the world and reviewed favorably in publications including Signal to Noise\, The Wire\, All About Jazz\, Cadence Magazine\, Jazz Hot\, Paris Transatlantic Magazine\, LA Weekly\, Tucson Weekly\, and Stride Magazine. Stratostrophic\, their most recent album\, is out now on the Clean Feed label\, and in September they will make their New York City debut with a concert at the Living Theatre co-sponsored by Clean Feed Festival III and the Sixth Annual Festival of New Trumpet Music. \n\n\n\nInstrumentationJason Mears – alto saxophone\, clarinet\, flutesKris Tiner – trumpet\, flugelhornIvan Johnson – double bassPaul Kikuchi – drums\, percussion\, electronics \n\n\n\nA drummer whose current material straddles the many lines between punk\, free jazz\, no wave\, improv\, and much more\, Weasel Walter will be playing with Mary Halvorson on guitar and Peter Evans on trumpet. \n\n\n\n\nhttps://www.youtube.com/watch?v=5PmWkLZUiqw\n\n\n\n\nWeasel Walter (born Christopher Todd Walter in Rockford\, Illinois) is a composer and instrumentalist who founded the band The Flying Luttenbachers in Chicago in 1991 with late jazz cult figure Hal Russell. Over the years\, the band has included noted Chicago musicians such as Ken Vandermark\, Jeb Bishop\, Fred Lonberg-Holm\, Dylan Posa\, while creating an uncompromising and mercurial body of abstract music drawing equally from no wave\, death metal\, free jazz\, gamelan\, noise music\, hardcore punk and modern classical. Walter relocated to the San Francisco Bay Area in 2003\, where he formed the latest of many Luttenbachers lineups\, remaining on percussion with the addition of bassist Mike Green (Burmese)\, and virtuoso guitarist Ed Rodriguez (ex-Colossamite\, Gorge Trio). Singular guitar phenomenon Mick Barr (Octis\, Orthrelm) joined the group in 2005. The Flying Luttenbachers ceased to operate in late 2007. In addition to leading various free jazz ensembles under his own name\, currently he is a member of XBXRX and Burmese. \n\n\n\nBefore relocating to the West Coast\, Walter was a major contributor to the Chicago no-wave/noise/improvised music underground during the ’90s and early 2000s. During this period\, he performed as a founding member of bands such as The Flying Luttenbachers\, Miss High Heel (with Jim O’Rourke and Azita of The Scissor Girls)\, Lake of Dracula (with Marlon Magas and Heather M. of the Scissor Girls)\, To Live and Shave in L.A. 2\, and Hatewave (replacing founder Nandor Nevai) among others. Walter has collaborated with artists like Marlon Magas and Jim O’Rourke\, Tom Smith in To Live and Shave in L.A.\, Henry Kaiser\, Damon Smith\, Vinny Golia\, Joe Morris\, Frank Gratkowski\, William Winant and Ken Vandermark as well as many influential underground rock bands including Bobby Conn\, U.S. Maple\, Cock E.S.P.\, Curse of the Birthmark\, the Scissor Girls\, Erase Errata\, The Chicago Sound\, Harry Pussy\, Quintron\, Sharon Cheslow\, and Cheer-Accident\, in addition to producing albums by the Coachwhips\, Burmese\, Total Shutdown\, Arab on Radar and Glenn Branca. \n\n\n\nMary Halvorson is a guitarist\, composer and improviser living in Brooklyn. She grew up in Boston and studied jazz at Wesleyan University and the New School. Since 2000 she has been performing regularly in New York with various groups and has toured Europe and the U.S. with the Anthony Braxton Quintet (Live at the Royal Festival Hall\, Leo Records) and Trevor Dunn’s Trio-Convulsant (Sister Phantom Owl Fish\, Ipecac Recordings). She has also performed alongside Joe Morris\, Nels Cline\, John Tchicai\, Elliott Sharp\, Andrea Parkins\, Marc Ribot\, Tony Malaby\, Oscar Noriega and Jason Moran. Current projects which Mary composes for and performs with include a chamber-music duo with violist Jessica Pavone (On and Off\, Skirl Records\, 2007); The Mary Halvorson Trio with John Hebert and Ches Smith; and the avant-rock band People (Misbegotten Man\, I & Ear Records\, 2007). She also performs regularly in ensembles led by Taylor Ho Bynum\, Ted Reichman\, Tatsuya Nakatani\, Jason Cady\, Matthew Welch\, Brian Chase and Curtis Hasselbring. \n\n\n\nPeter Evans is an American trumpet player based in New York\, who specializes in improvisation and avant-garde music. Evans has been a member of the New York City musical community since 2003\, when he moved to the city after graduating from The Oberlin Conservatory of Music. Peter currently works in a wide variety of areas\, including solo performance\, chamber orchestras\, performance art\, free improvised settings\, electro-acoustic music and composition. In addition\, he performs regularly as part of the Festival of New Trumpet Music\, which is held annually in New York City. \n\n\n\n\nhttps://www.youtube.com/watch?v=CkE3cdAjEME\n\n\n\n\n\nhttps://www.youtube.com/watch?v=DC9YW2HOwV0\n\n\n\n\n\nhttps://www.youtube.com/watch?v=9lNzO_-xvTE\n\n\n\n\n\nhttps://www.youtube.com/watch?v=ozJ2wPv4Ad0\n\n\n\n\n\nhttps://www.youtube.com/watch?v=GWVskyVmfRE
URL:https://www.mediasanctuary.org/event/empty-cage-quartet-and-weasel-walter-trio/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Jazz Music,Performance,Rock Music
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DTSTART;TZID=America/New_York:20071012T200000
DTEND;TZID=America/New_York:20071012T220000
DTSTAMP:20230125T183620Z
CREATED:20071012T152300Z
LAST-MODIFIED:20230125T183620Z
UID:10000873-1192219200-1192226400@www.mediasanctuary.org
SUMMARY:Haale
DESCRIPTION:https://vimeo.com/792706169\n\n\n\n\nHaale\, vocals\, guitarMatt Kilmer\, percussionChris Hoffman\, cello \n\n\n\nHaale evokes both the spiritual and traditional culture of her parents’ homeland of Iran and the energy of psychedelic rock and roll from the sounds of New York City\, where she was born. Her music and her message are formed by the powerful combination of these influences\, invoking both a swaying trance and a rock sensibility she describes as “psychedelic Sufi trance rock.”  \n\n\n\nHaale never strays far from the cultural and mystical influences of her Persian roots\, but she’s no throwback to the New Age movement. Haale’s music is a new kind of global rock\, and while some try to find the neat stylistic pigeonhole for her\, the best response is to go along with her\, wherever that may lead.  \n\n\n\nCo-sponsored by Women Against War.
URL:https://www.mediasanctuary.org/event/haale/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Performance,Rock Music
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