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DTSTART;TZID=America/New_York:20260902T170000
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DTSTAMP:20260731T230842Z
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UID:10002404-1788368400-1788372000@www.mediasanctuary.org
SUMMARY:Be The Media! workshop with Edward George
DESCRIPTION:as part of EMPAC’s TOPOS Festival\n\n\n\nJoin us to learn directly from Edward George\, who has harnessed the power of media to examine and deconstruct the Black experience in its myriad forms from his early work as an independent media activist and founding member of UK’s Black Audio Film Collective\, to his multi-part radio broadcast The Strangeness of Dub\, to his own performance practice in electronic music groups such as Hallucinator. \n\n\n\n\nREGISTER HERE\n\n\n\n\n*This event is included in the TOPOS Festival Pass \n\n\n\nEdward George will discuss the trajectory of his work\, the reasons he has used different modes of media for certain projects\, and how the subjects that he explores breathe life into social histories and make complex theory accessible to wider audiences. The workshop precedes George’s screening of Black Atlas\, an experimental reimagining of archival materials which ultimately reveals how art is a tactical tool that can be used to dismantle systems of power.This event is a collaboration with EMPAC & iEar Presents! \n\n\n\n\n\n\n\n\n\n\n\nEdward George- writer\, broadcaster\, and founder of Black Audio Film Collective (1982-1998)\, the multimedia duo Flow Motion (1996-present)\, and the electronic music group Hallucinator (1998-present). Geo rge wrote and presented the ground-breaking science fiction documentary Last Angel of History (1996)\, and he hosts Sound of Music (Threads Radio)\, Kuduro – Electronic Music of Angola (Counterflows). George’s series The Strangeness of Dub (Morley Radio) dives into reggae\, dub\, versions and versioning\, drawing on critical theory\, social history\, and a deep\, wide cross-genre musical selection. \n\n\n\n\n\n7pm: “Black Atlas” Screening with Edward George & Fred Moten
URL:https://www.mediasanctuary.org/event/be-the-media-edward-george/
CATEGORIES:Workshop
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SUMMARY:“Black Atlas” Screening with Edward George & Fred Moten
DESCRIPTION:as part of EMPAC’s TOPOS Festival\n\n\n\nJoin Black Audio Film Collective founding member Edward George for a screening of Black Atlas which explores the “Image of the Black” archive—a collection of over 30\,000 images documenting representations of people of African descent from antiquity through the civil rights era. After the screening\, George will be joined in conversation with Fred Moten\, a Black Culture Studies professor at NYU Tisch. This event is a collaboration with EMPAC & iEar Presents! \n\n\n\n\nREGISTER HERE\n\n\n\n\n*This event is included in the TOPOS Festival Pass \n\n\n\n\n\nCommissioned by The Warburg Institute in London\, filmmaker\, writer\, broadcaster\, and musician Edward George’s Black Atlas explores the “Image of the Black” archive—a collection of over 30\,000 images documenting representations of people of African descent from antiquity through the civil rights era. The American premiere of Black Atlas is presented in partnership with The Sanctuary for Independent Media (Troy\, NY) and RPI Arts Department’s iEAR Presents! Drawing from the archive\, George creates a new film that reanimates historical imagery through narration\, sound\, and montage. Accompanied by an evocative score by Seymour Wright and Crystabel Efemena Riley\, Black Atlas unfolds as a meditation on time\, place\, and presence— considering art as a medium of transcendence\, a technology of power\, and an affirmation of a humanist\, anti-racist project. \n\n\n\n\n\n\n\n\n\n\n\n5pm: Be The Media! workshop with Edward George\n\n\n\nGuest Bios:\n\n\n\n\n\n\n\n\n\n\n\nEdward George- writer\, broadcaster\, and founder of Black Audio Film Collective (1982-1998)\, the multimedia duo Flow Motion (1996-present)\, and the electronic music group Hallucinator (1998-present). George wrote and presented the ground-breaking science fiction documentary Last Angel of History (1996)\, and he hosts Sound of Music (Threads Radio)\, Kuduro – Electronic Music of Angola (Counterflows). George’s series The Strangeness of Dub (Morley Radio) dives into reggae\, dub\, versions and versioning\, drawing on critical theory\, social history\, and a deep\, wide cross-genre musical selection. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFred Moten is a professor in the Departments of Performance Studies and Comparative Literature at New York University\, where he teaches courses in black studies\, poetics\, and critical theory. He works with lots of social and aesthetic study groups including Stefano Harney & Fred Moten\, the Black Arts Movement School Modality\, Le Mardi Gras Listening Collective\, the Center for Convivial Research and Autonomy\, Moved by the Motion\, the Institute of Physical Sociality and the Harris/Moten Quartet.
URL:https://www.mediasanctuary.org/event/black-atlas/
CATEGORIES:Screening
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