Date(s) - Saturday 03/21/2020
6:00 pm - 9:00 pm
Join us for a community potluck dinner and public talks by the renowned artists Marta de Menezes (Portugal) and Kira O’Reilly (Ireland/Finland).
6:00 p.m. | Community potluck dinner
7:00 p.m. | Artist Talks and Community Conversation with Marta de Menezes (Portugal) and Kira O’Reilly (Ireland/Finland)
Kira O’ Reilly is a London based artist; her practice, both willfully interdisciplinary and entirely undisciplined, stems from a visual art background; it employs performance, biotechnical practices and writing with which to consider speculative reconfigurations around The Body. But she is no longer sure if she even does that anymore. Since graduating from the University of Wales Institute Cardiff in 1998 her work has been exhibited widely throughout the UK, Europe, Australia, China and Mexico. She has presented at conferences and symposia on both live art and science, art and technology interfaces. She has been a visiting lecturer in the UK and Australia and U.S.A in visual art, drama and dance. Most recent new works have seen her practice develop across several contexts from art, science and technology to performance, live art and movement work.
Title of Talk:
Menopause Batteries and Endocrine Piracy
In the realm of mainstream cultural commentary menopause is enjoying a moment, an important one that dares to speak it’s name, discuss and parlez it’s vicissitudes but generally in terms that do little to change imposed traditional constructions of female corporal experience, ie, symptomising and medicalising. The stoppage of menses and the complex cascades of physiological, psychic and expressive effects and affects are little acknowledged or explored.
My project is one of reframing menopause, a utopian vision and enactment, an extant, celebratory articulating that revels in re-cognising the energetic potentialities of the marvelous shift by holding an embracing and inclusive purview.
Marta de Menezes is a Portuguese artist with a degree in Fine Arts by the University in Lisbon, a MSt in History of Art and Visual Culture by the University of Oxford, and a PhD candidate at the University of Leiden.She has been exploring the intersection between Art and Biology, working in research laboratories demonstrating that new biological technologies can be used as new art medium. In 1999 de Menezes created her first biological artwork (Nature?) by modifying the wing patterns of live butterflies. Since then, she has used diverse biological techniques including functional MRI of the brain to create portraits where the mind can be visualised (Functional Portraits, 2002); fluorescent DNA probes to create micro-sculptures in human cell nuclei (nucleArt, 2002); sculptures made of proteins (Proteic Portrait, 2002-2007), DNA (Innercloud, 2003; The Family, 2004) or incorporating live neurons (Tree of Knowledge, 2005) or bacteria (Decon, 2007). Her work has been presented internationally in exhibitions, articles and lectures. She is currently the artistic director of Ectopia, an experimental art laboratory in Lisbon, and Director of Cultivamos Cultura in the South of Portugal. http://martademenezes.com
FEMeeting’s main purpose is to disseminate projects that are being carried out by women in its broadest interpretation (individuals who identify themselves as women, cis-gender and non-cis-gender, gender-fluid, and independent of their sex and gender) in order to contribute (a) to the development of research methodologies in art and science and (b) to the development of collaboration strategies that can increase knowledge sharing and bring communities together.
Launched in 2017, the conference “FEMeeting: Women in Art, Science and Technology” was driven by the desire to develop and promote more direct collaboration between individuals who identify as women. The idea behind FEMeeting was orchestrated by the Portuguese artist Marta de Menezes and scholar Dalila Honorato, after realizing that women in the field of Art and Science have an unquestionable presence worldwide. FEMeeting acknowledges the social relevance of a core community and its role for the future.
The two first FEMeetings took place in Portugal and were organized by Cultivamos Cultura. The outcomes of 2018 and 2019 conferences have been many and, though most are intangible, among the project’s distinguishable objectives there are: (a) a strong personal support through instant internet communication between women doing research work (in the broadest sense of the term) in art, science and technology (b) and the encouragement towards the formation of local nodes to support research and artistic creation developed to enable a wide network of direct communication among them and encourage trust. In recognition of the vital role of grassroots creative praxis in building our growing global network, FEMeeting announces its first community meetings taking place this Spring: FEMeeting: Troy 2020 and FEMeeting: Paris 2020.
FEMeeting Troy 2020
FEMeeting: Troy 2020 is organized with Media Sanctuary’s NATURE Lab Initiative (North Troy Art, Technology, and Urban Research in Ecology). The Friday and Saturday daytime FEMeeting sessions will be private. On Saturday evening there will be a public community potluck dinner and talks by the renowned artists Marta de Menezes (Portugal) and Kira O’Reilly (Ireland/Finland), open to all.
FEMeeting: Troy will be held at The Sanctuary for Independent Media, 3361 6th Avenue, Troy, New York 12181.
For directions please see mediasanctuary.org/